Prototype:【MELTRICK】NEWS/WORKS !!

ArticleTranslation/記事翻訳「@ScreamingFemales debut @Daytrotter Oct2010 "Blacking Out In The Red"（「暗転してゆく、そのレッドの中に。」）」

2012-02-04T10:41:00.000-08:00

Finally I successfully gotta be able to see the NJ's punk trio Screaming Females at Royale Boston opened for a DIY type hardcore Thursday's final tour. I didn't even realize this was Thursday's last tour for the intimated hiatus...

~~tbc!~~

~~However you may want to see...~~

Un): Imported/Article Translation/記事翻訳
「#Thursday debut(/maybe last) @Daytrotter: "Magic In the Falling Apart."（「ある崩壊のもとでのマジック」）」fr. @SimonSays

I think I can make a review to Thursday and Screaming Females out when SF comes to black out us at my friends local bookstore in Somerville area, Boston called "Lorem Ipsum Books." My music writter friend Liz Pelly has mentioned me before that she wanted to have SF in a small show such as basement show or house show. And then I met her just by chance at a SF show of Thursday's final tour in December 2011. That show was for me really "finally" to get Screaming. I could totally agree with Liz to have them in the good small show, because they have been toured with gre

stay tune!

〜〜〜

スクリーミング・フィメールスは、初め、Screaming Treeに名前が似ている事から自然と認知していました。各方面からかなりいい噂は聞いていました。MoorworksのJOEさんや、Young Adultsのクリス、それにボストン・フィネックスのリズ。それぞれ口を合わせてライヴがヤバいと。特にクリスは昨年のSXSW2011だったかでSFを観て度肝抜かれたって先日、ex-Quiltyのサラの新バンド兼新ソロプロジェクトのSpeedy Ortizのライヴで会ったときにサウス・バイの話で盛り上がって話してくれてました。その数週間後にやっとSFを観れる機会がありました。それまでもJOEさんにお勧めして頂いてた、

★Screaming Females / "BOYFRIEND" (MV)
song from 2nd Album "What If Someone Is Watching Their T.V.?" (2009)

あたりの、
紙袋をかぶるという共通項が、僕の中で、
D[di;]という北海道出身で宮崎駿氏も絶賛したというアーティスト（といってもご自身の独特なイラストを更に独特な漫画や小説に混ぜるという奇抜なスタイルなどを計っている、そういうアーティストさん）が昔、何故か音楽／歌手活動されていた時代の楽曲のPVや、チョモランマトマトというJ-ROCKシーンで異端児であっ４ピースバンドのビデオをも彷彿させたMVでかなり気になっていました。

★D[di;] / "Angel Meat Pie" (PV)
from her first album...

★Qomolangma Tomato（チョモランマトマト） /
"FIVE SENSES-FIVE MIUTES -自分のしがらみに溺れるな-" (PV)

それでは、本編へ。

---

Screaming Females
スクリーミング・フィメールス
debut @Daytrotter session
released 2010 27th, 2010.

Download / Listen / Original Article

ダウンロード／視聴／オリジナル記事

on Daytrotter.com

＊To download/listen the session or more use Daytrotter website,

join the membership for only $2 a month.

＊デイトラッターセッションのダウンロード／視聴、

もしくはその他のコンテンツ利用には月額たった$2のご利用登録が必要です。（登録方法、詳しい日本語でのご案内はコチラ！）

My MELTRICK rate for the Daytrotter session:
★★★★★☆ (5.3 / 6 star)

"Blacking Out In The Red"

「暗転してゆく、そのレッドの中に。」

Session Credit:

Words by @Sean Moeller,

（オリジナル記事 by ショーン・モーラー）

Illustration by Johnnie Cluney,

（イラストレイション by ジョニー・クルーニー）

Sound engineering by Mike Gentry

（サウンドエンジニア by マイク・ジェントリー）

Japanese Translation by @Kennyy_MELTRICK

（日本語翻訳 by ケニー＿メルトリック）

Session Setlist:

1). Welcome To Daytrotter (from Screaming Females)

2)."A New Kid / Zoo of Death"

3). "I Don't Mind It"

*Click the titles to listen the songs on YouTube!
＊タイトルをクリックすると楽曲のYouTubeのリンクとなります！

Discog for the session:

2). "A New Kid" & 3). "I Don't Mind It"
from the latest/4th album "Castle Talk" (2010)
トラック２の前半「ア・ニューキッズ」と３「アイ・ドン・マインディ」は現在の最新作／４枚目の２０１０年アルバム「キャッスル・トーク」収録です。
Vinyl / ヴァイナル at Amazons

2). "Zoo of Death" from "Singles" EP (2010)
(originally from their very first 7" single "Arm Over Arm / Zoo of Death"(2006) soldout.)
トラック２後半「ズー・オブ・デス」は元々２００６年の自主盤1st 7" singleでのリリースから２０１０年のDon Giovanni LBLにて過去の四枚のソールドアウト7"をコンパイルした「シングルス」のEPとしてCDリリースされております。
cd at Amazons

*About the SF songs Sean mentioned specifically in his essay of SF's; "Boyfriend" and "Fun" are on Screaming Females originally self-released sophomore album "What if Someone Is Watching Their T.V.?" (2007)(It's highly recommended album!), and Niel Young's cover tune "Cortez the Killer" is on "Singles" EP now!
＊そして、デイトラッターのショーンの今回のエッセイ内で語られている楽曲、「ボーイフレンド」「Fun」は特にお勧めなアルバムである２００７年のセカンドの「ワット・イフ・サムワン・イズ・ウォッチング・ゼアT.V.?」("What if Someone is Watching Their T.V.?")、そして「コーテーヅ・ザ・キラー ("Cortez the Killer")」(二ール・ヤングのカバー)は現在入手可能な「シングルス」EPに収録されております。

Daytrotter 記事翻訳：

　マリッサ・ペーターノースター(Marissa Paternoster)、ニュージャージー(N. J.)はニューブルンスウィック(New Brunswick)のバンド、スクリーミング・フィメールス(Screaming Females)のむせぶ様に歌うことでおなじみのリードシンガーのメリッサ・ペイトノスター(Marissa Paternoster)は彼女の曲でほんの時たまだけ叫ぶ事がある。それはコンスタントな事ではないし彼女が叫ぶその瞬間の感じと言えば、、言葉にするなれば、、「とても啓発的」("enlightening" = /en・light・en・ing/エンライトニング adj.形容詞で「はっきりさせる」などの意。)　かな。イエス、そうだね確かにそれは「エンライトニング！」だ。それに、「アップリフティング」（"uplifting" = adj.形容詞で「高揚させる、向上させる」の意。）って感覚もあるね。彼女の声には、抑制された感情たちや、その最小限の身振り手振り、社会規範 ("social norms")や批判のペースに振り回されてしまう事など、むせ返るって息が詰まり困難に陥ってしまう、そんなような物事から容易く抜け出させてくれる。

　ペーターノースターは現状への血の気の多い憤激を放ち、彼女自身を恋に溺れる一人として曝け出しつつも（SFのバンドの楽曲「ボーイフレンド」あたりで　＊今回の記事日本語イントロ部の映像参照）、よくある嫉妬心や、他の事なんてどうでもいい、といった偏ったパッションが無駄に投影される様なことは、現在のバンドの楽曲には取り込まれていない。爆発する事であったり立ちふさがるすべての壁を如何にぶち破るかについて歌っていて、本来であれば何時間もかけて壊れたその壁の破片を片付けて回るまでの過程をも歌う。そんな憤慨する物事が溜まり始めたときに、いかにも彼女自身がそんな心の毒につついてまわれるダイレクトなラインとして、歌である。

　彼女と、ドラマーのジャレット・ドーファーティー(Jarrett Dougherty)とベーシストのキング・マイク(King Mike)は互いにそれぞれの仕事を、レコードにおいて、彼女達自身が体の底から大騒ぎして乱れている様を、躁なパンクロックビートに、ブリスター(blister)（「ぶくぶくと沸くような」くらいの意）なギターソロに乗せて、終いにはローエンド(low-end = 「底辺を這う様に」くらいの意)にガミガミと鳴らし切って見せびらかしている。話をその前途の楽曲に戻すと、僕らはその一人の少女のバックストーリー(back-story)の中に振り落とされ、彼女は１９歳で、困った程の恋熱の病を宿していて、その薬となるべく男の子達ですらもうその病を治すことができないほどの長ーい長い間彼女は煩っている（わずらっている）。その少女はやがて気が狂っていき、スカーレットフォールズ（？）を超えて彼女自身を浪費ししばらくの間壊してしまう程のマッドネスさへと行き着くのである。

　ペーターノースターはもし彼女自身がブラックアウト(black out = 「周りが見えなくなって」「失神して」位の意?)したまま歌い続けると、その中に唯一悪魔の赤い形相だけを目の当たりにするような感覚があり、その悪魔は地獄で燃えたぎっていることを嘆かけてきたり、原始爆発へと送り込もうとむち打ちしてきたり、彼女の一本のマイクや一台のスピーカーから１０マイル範囲内の誰しもの腕や顔を焼き尽くしかねないほどである。今回のセッションは彼女達のパフォーマンスをある意味かいつまんだ形になっていつつも、彼女のこの上ない才能を目の当たりにしたり、バンドの他の楽曲へとプロバイド（導いて）くれる為には十分にエッセンシャルなセッションであり、聞く者の気持ちは彼女の美しくパチパチっと鳴り止まない能力につかみ取られてゆき、例えば「Fun」（＊Discog参照）や「コーテーヅ・ザ・キラー ("Cortez the Killer")」（＊ニールヤング(Neil Young)のカバー、Discog参照）や他の楽曲でその頂点に垣間みれる、

刺々しく痛んでくるほどに純真な彼女のたちのいたづらな（ナスティな）音の傾性質が空気を引き裂いていって必然となっていく瞬間

をも目の当たりにできる。彼女のそのナスティさはとてもテイスティ（味わい深く）で、あなたはきっと動けなくなる。あなたは彼女の音に釘付けになって動けなくなり、その必然性が、例えば、ランプを握りそのランプを鏡かリヴィングルームのガラス窓へと投げつけたくなる衝動を駆らせていることに気がつくだろう。あなたがペーターノースターを必要とするのは解毒の専門家か施設へと向う近道としてだからである。あなたが彼女を必要としているのは、どうしょもなく負けるためであり、なぜならそれが我々を勝ちへと繫げるからである。我々は大いなる勝利を得るのである。

スクリーミンング・フィメールス
オフィシャルサイト

---

Original Article on Daytrotter:

Marissa Paternoster, the lead singer and wailer for the New Brunswick, N.J., band Screaming Females, only sometimes screams in her songs. It's not a constant and it's what makes the moments when she does so…what's the word…enlightening. Yes, I believe it's enlightening. It's uplifting it feels like too. It's too easy to be out there suffocating, to be strangled into an existence that tends to reward stifled emotions, minimal acting out, falling into the paces of social norms and stricture.

Paternoster represents a bloody fury on occasion and she spills herself out as a crazed lover (on the band's song, "Boyfriend"), overcome with a jealous and damaged passion that, no matter what is done, will not be contained in its current setting. It is about to erupt and it's about to splatter all over the walls, a reaction that will take hours to clean up. It's as if she has a direct line to the poison of the heart, when things start to tank. She taps into the vitriol of those hearts that are no longer giving the benefit of the doubt.

She, drummer Jarrett Dougherty and bassist King Mike all work off of each other, on record, adding their own flourishes of unhinged mayhem, with manic punk rock beats, blistering guitar solos and growling low-end. Bringing the conversation back to the aforementioned song, we are dropped into the back-story of a girl who, at the age of nineteen, had a serious fever and the medicine men couldn't break it for a great long while. The girl becomes deranged, going over the scarlet falls and into a period of madness that consumes her and breaks her from reason for a while.

Paternoster sounds as if she's blacked out, seeing only the red of the devil, spewing about burning in hell and letting loose with a lashing that sends out an atomic blast, burning the faces and arms of anyone within a 10-mile radius of the microphone or speakers. It's a ripping performance and an essential song to discover her finest talents and to provide the set up for any other song the band makes, keeping in the back of your mind her ability to snap. It gives her beautifully wobbly vocals on "Fun" as well as on a cover of "Cortez The Killer" and others that added bonus of needing just a split second to turn prickly and downright nasty. Her nasty is so tasty and you root for it. You root for her to feel the need to pick up a lamp and throw it into a mirror or right through the living room window. You want her to go nowhere near a detoxification professional or facility. You want her to just fucking lose it because then, we all win. We win big.

Screaming Females Official Site

--

As some of you would notice on daytrotter upcoming live session streaming page, Screaming Females has lined for their sophomore Daytrotter session recording schedule on ...
お気づきの方もいらっしゃるかと思いますが、SFのセカンド・デイトラセッションのライヴストリーミングが３ドルにて生放送中継で観れます。

Monday, Feb 20th, 2012 / 4:00PM (16:00 EST time)
Screaming Females 2nd Daytrotter Session
Buy for $3.00-

（＊日本時間の２月２１日（火曜日）の６：００AMです。
↑クリックしてデイトラページへ。）
今後他に配信収録録音されるデイトラッターのセッションで、僕が個人的に注目しておりますのは友人のChristopher Paul StellingのInto It. Over It.、Talkdemonicそれぞれのセカンドセッションズと、Pretty Good Dance MovesとAir Wavesも気になっております。要ちぇけらーです。

Also there's Marrisa's solo project called "noun" also has a cd lp "Holy Hell" released in 2010. (Oh I just found the Lp vinyl version plus "s/t" Ep, new ep? also on 7" vinyl are now pre-ordering!) I suggest you to buy them all at their record label Don Giovanni Records:

here noun Holy Hell!

フロントウーマンのマリッサのソロプロジェクト「ナウン」は一枚のcdアルバム「ホーリー・ヘル」をリリースしておりましたが、この作品のヴァイナルバージョンが彼女達の所属レーベル、ジャージーのドン・ギオヴァニレコーズにてプレオーダー中です。ついでに新しいセルフタイトルの７インチも！

but listen to the album on Amazon:
(Amazon.com / Amazon.co.jp)

It seems her old cassette released stuff streaming on badcamp:
&lt;p&gt;&amp;amp;amp;amp;lt;p&amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;p&amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;a href="http://nounmusic.bandcamp.com/album/forgotten-grin"&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;quot;Forgotten Grin&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;quot; by Noun&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/a&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;gt;&lt;/p&gt;

They, Don Giovanni, are really great indie puck rock label. I especially like a girl-front-poppy-punk band such as SF and Big Eyes from the label.
ドン・ギオヴァニレコーズのレーベルメイトでSFの同郷でSFと同じスリーピースでガールズフロント／ギターであるBig Eyesというポップパンクバンドもお勧めです。Donより7"のシングル（ソールドアウト済み）と待望のデビューフルレンス12"ヴァイナルをリリースしております！

BIG EYES "Hard Life" (2010 LP)

日本でのBig Eyesの"Hard Life" 12"LPの入手は、、
THE STONE RECORDSさんにて！

Big Eyes has firstly released their 4-song demo 7"/cassette/free download digital (from different label, Evil Weevil records though):

Big Eyes - Demo (debut)

IFYOUMAKEIT.com (http://www.ifyoumakeit.com/album/big-eyes/demo/)
via BIG EYES official site.

(*Unfortunately their DON G's debut 7" single Why Can't I" is out of print as well as seems out of downloaded...)

Oh Oh plus plus plus!

Don Giovanni announced their own label new release showcase in Brooklyn, NY on Saturday February 11th, 2012!! They will have a bunch of new label bands stuffs there, include Screaming Females' new 7"single "It All Means Nothing" off the new album (5th album) "Ugly" and noun's 7" and LP as well!

via Don Giovanni blog

thanks!

Kennyy
as MELTRICK

Edited on [(Thu) Dec/29th/2011/11:20PM]
thru [(Thu) Jan/12th/2012][(Fri) Jan/20th/2012][(Mon) Jan/23rd/2012]
published [(Sat) Feb/4th/2012]
updated [(Mon) feb/6th/2012]

〜〜〜

【本日の/Today's BGM selection】

★キノコホテル／「もえつきたいの」（PV）
(Kinoco Hotel = means"Mashroom Hotel")
/ "Moetsukitaino" （= menas "I wish I could burn out.."）
from album 「マリアンヌの憂鬱」（２０１０）

Translation/記事翻訳「He's My Brother She's My Sister: debut @Daytrotter Jan2012 "Meant To Drink Together, Doubling Conclusions"（「酒を飲み交わすってことは、コンクリュージョンを重ねるってこと。」）」

2012-01-06T13:06:00.001-08:00

(https://www.daytrotter.com/#!/concert/hes-my-brother-shes-my-sister/20054483-111911)

My intro of this article:

At the same time of a accidentally chance just a couple of weeks before this Daytrotter session released, I'd just found this band from my super random only-DM-email account. Which means from my discovering email address. If the current FREE STAFF world requires me to put the email address of mine to grab my copy or the shits, I would be forgetting about to check the downloading link, so that would be the same situation for the band in this case "accidentally." But the name of this band apparently you could remember was so remarkable on my next checks! Kinda compare of listening to between the Daytrotter tracks and the properly official released same tracks, of course, they are different, but not so totally different. The only thing that I could feel it up in between is like "tense" of the sound that band made for.

-----

マイ・イントロ：

英語のイントロを適度に頑張り過ぎました。このバンドに関しては僕もまだまだ未知です。来月２月に新しい作品を引っさげて来ボスしてくるので、さっそくこのデイトラッターを拵えて（こしらえて）ライヴを観に行くべし、と考えております。楽しみです。このデイトラがリリースされる、数週間前にどうやら無意識のうちにそのバンド名から気になってフリーの音源（＊このページ記事の一番下に貼っております！）をダウンロードしていて、デイトラの広報で、「あっ！」となってリリースを楽しみにしておりました。

いつも、ライヴを観てバンドとお話をしてそこまでして気入ってデイトラッターの翻訳に取りかかるパターンが自分の中で通例化しているので、時にはこの音源先パターンもいいかなあと思っております。ちょうど良く最新作アルバムのレコーディングの為のツアーがあるというのもいいタイミングです。

音に関しては聴いて頂くのが早いかと思いますが、これまた今回のデイトラッターのショーンのエッセイにもあるように、男女の兄弟をフロントにおいた（かなり簡単に言えば）カントリーポップであり、白人音楽のベースを基盤に楽器隊はとても渋く、特にベースラインが効いていたり、歌のラインは一緒にうたえる親しみ易さもあります。今、こうして説明している部分に関しては正直、彼らのプロパー音源の方がもっとにじみ出ている気がしますので、デイトラッターはあくまで「スタジオライヴ盤」という添え方もできそうですね。
また、ライヴを観に行けたあとに、レビューやレポートを書けたらいいなあと思っております。

~~~

My rate of the Daytrotter session:
★★★★☆☆ (3.75 / 6 star)

He's My Brother, She's My Sister
（ヒーズ・マイ・ブラザー、シーズ・マイ・シスター）
debut @Daytrotter session

released fri Jan 6th. 2012

"Meant To Drink Together, Doubling Conclusions"

「酒を飲み交わすってことは、コンクリュージョンを重ねるってこと。」

（＊タイトルに関してはだいぶ直訳です。笑）

A song off the session...

☆He's My Brother, She's My Sister / "Let's Go"

live at Will's Pub, Orland - Dec 6th, 2011

Download / Listen / Original Article

ダウンロード／視聴／オリジナル記事

on Daytrotter.com

＊To download/listen the session or more use Daytrotter website,

join the membership for only $2 a month.

＊デイトラッターセッションのダウンロード／視聴、

もしくはその他のコンテンツ利用には月額たった$2のご利用登録が必要です。（登録方法、詳しい日本語での説明はコチラ！）

The Original Article of Daytrotter Session:

"Meant To Drink Together, Doubling Conclusions"

「酒を飲み交わすってことは、コンクリュージョンを重ねるってこと。」

Session Credit:

Words by Sean Moeller,

（オリジナル記事 by ショーン・モーラー）

Illustration by Johnnie Cluney,

（イラスト by ジョニー・クルーニー）

Recording engineered by Mike Gentry,

（レコーディング・エンジニア by マイク・ジェントリー）

Japanese translation by Kennyy_MELTRICK

（日本語翻訳 by ケニー＿メルトリック）

Track listing:

1). Welcome to Daytrotter (from HMBSMS)

2). "Let It Live Free" (*Unreleased?)

3). "Tales That I Tell"

4). "How'm I Gonna Get Back Home"

5). "Let's Go" (*Unreleased?)

*Discog is below over this article on the bottom of this post.

＊セッション楽曲に対する、ディスコグラフィーはこの記事の一番下にて。

You kind of have to wonder if Robert and Rachel Kolar aspired to be each other's drinking buddies when they were sitting across the table from one another, getting through their bowls of Lucky Charms when they were growing up. As children, that must have seemed like something so far off and distant in the future that there was no use dwelling on it. If it was meant to be, it was meant to be and they would be there for each other. The way things have turned out, it sounds like they do this occasionally. They almost can't help themselves, being in a band together called He's My Brother, She's My Sister. It's one of those band names that would never beg any further explanation, but could drum up some Abbott & Costello acts, with flustered and tipsy bar patrons confused and begging for answers, asking, "Yeah, yeah, but what's your band called?" This only happens, of course, if the siblings are out and the night's getting a little long in the tooth. It's at this point when they start mentally writing crib notes, keeping closer tabs on what they've got cycling through their lubricated heads. The Los Angeles group, which is a six-piece in-full, relies on the ways that getting slightly out of your normal being helps put punctuation marks in the spots where they need them. Everything prior to four beers in winds up trickling out as a run-on sentence, without any capitalization and deciphering much of it is tricky. It's best to junk a lot of it and get to the bottom of the important stuff after a few rounds and something of a more focused head. It's no coincidence that a few drinks loosens everyone up, throws some rosiness into the cheeks and fires up the beginning flashes of a smile. It could just be the sad and depressing residues washing away, albeit temporarily, or it could just be the booze talking. In some ways, it's always welcome, this reconfiguration of problems and pluses. Robert and Rachel often trade lines in their songs, doubling conclusions most of the time and meeting in the middle, suggesting that even if they've split off and gone our separately, they've come to the same determinations. "How'm I Gonna Get Back Home," is one from the group's self-titled, debut EP and it addresses the need to let go of consciousness and just let the lights go off for a little bit. It's as if some things just need to be said and there's only one way to have them said, to feel entirely free to say them. They sing, "In the morning things won't seem so sweet," but there's no voice telling anyone that any of this is a bad idea that should be nipped in the bud right now, before anything can't be taken back. Rachel sings, "My luck's shot to shit, but I've still got my wits," and elsewhere asks, "Who would fall for a freak like me?/Well, who cares, I'm still gonna have some fun tonight." It must be that they've determined that it doesn't matter much because "all of a sudden, I feel like talking to everyone." In the end, in the morning, it's just going to wind up being a telltale night, with some pearls of wisdom in there, to be extracted over a late breakfast and hangover remedies.

He's My Brother, She's My Sister Official Site
He's My Brother She's My Sister Facebook page

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日本語記事翻訳：

もしロバート＆レイチェル・コラー (Robert and Rachel Kolar) がただ飲み仲間として互いに向かい合ってテーブルについて熱弁しあっていてたら、それが彼／彼女がかつて成長期にラッキー・チャームス（*Lucky Charms -- アメリカはミネソタ州発のシリアルメーカー）のボール皿を抱えて仲良く向かい合ってた様なら尚更、どうしたって気になってしまうだろう。こどもにとっては、それは（飲み語る事は）まるでかけ離れた未来の出来事だったりするから、くどくど語り合う事もとても仕様もないことであろう。もし意味があるとすれば、もし意味を成すとするなれば、それはただそこで向き合っていること自体が彼ら自身の為であるってだけのことである。

そんな物事がひっくり返るのは、まさにまるで彼らが時折そんな風に子供の頃に戻ったかの様に向き合うからである。それでも二人は仕方なく向き合い、ヒイズ・マイ・ブラザー・シイズ・毎シスターなんて名前のバンドに一緒に居るからである。しかもこの名前がまた、その名前自体にどんな意味説明を求めちゃならん類いのものだが、でもどことなくアボット＆コステロ（*Abbott & Costello -- アメリカの４０〜５０年代に活躍したお笑いコンビ）の漫才のように人々の注目を集めることが出来たし、慌てふためいてはほろ酔いのバーのパトロン（常連客）達は少し困惑してその疑問を投げかけて来て、それは、「Yeah, Yeah, けど、お前達のバンド名は何て言うのさ？」なんて。もしこの兄妹がやってきてその晩の所謂少しだけ「遅れて来たヒーロー／ヒロイン」みたいな感じだったら、それはもちろん、そんな質問も飛び交うさ。それは彼らが知的に書き溜めたノートに続きを書き始めて、彼らの循環して回ってる頭を通って何を得てしているかをなんて事をリアルに書き近づけていったら、っていう話さ。

このロス・アンジェルスのグループで、フルメンバーにしたら６名にも及ぶグループが、必要なスポット毎にパンクチュエーションマーク（「句読点」の意）達をきちんと打てる様な

まともな人間から少しだけズレちゃっている様なスタイルにすっかり依存し出してたりね。４杯も注がれるビールが何より先に優先されるような、そんなすべての事柄が一つの永遠と続くセンテンスとして漏れてしまって結ばれてしまうように、何の投資もなく、そしてその状況に対しきちんと理解しようともしない事が如何にトリッキーなことか。大事なのはそんな類いの物事の多くをがらくたのごとく捨て去るのに、徹底的に語り合って自身の頭の中にある物を追求し、頭を回転されて、そんな貴重な頭の中に詰まっているものとリンクするがごとしに、その酒を瓶底まで飲み干すことである。ほぐし水として数杯まず吞むってことが誰しものの、気持ちを緩め、顔も赤らめ、同時に気合いを入れたり笑顔にするための最初の一手となる事なんてことはないが。それはただ悲しい事で残存に憂鬱を苛まれ嘆き散らして、それが例え一時的なことだとしても、そんなのはただ大酒飲みになりかねない事だ。だいたいの時にはこうした、人が抱える問題やその手のプラス@に対してお酒を飲み交わして再び立ち向かって行く、再構築していける、陽気さというのが、酒を吞み交わす醍醐味というもでもある。

ロバートとレイチェルの二人はよく、自身が書いて来た曲のフレーズや詩のラインをトレードしてみては、そのトレードの最中によく起こりえる、コンクリュージョン（＊「終い」「解釈」の意）に入れ違いがもし二人にあったりしても、僕らへはそれぞれの解釈に任せてくれるように、最後には一つの最終地点を与えてくれる。今回のセッションにもある楽曲「ハウム・アイ・ゴナ・ゲット・バック・ホーム」("How'm I Gonna Get Back Home")はそんな楽曲の一曲であり、彼らのデビューセルフタイトルEP（＊ディスコグ参照！）からの楽曲であり、

この曲は酒飲みの自覚の必要性やほんの少しは夜更けに明かりを消して落ち着こうぜ、といった楽曲である。もしこの教訓が語り継がれるのなら、語り継がれる言葉は一つだけ、いつだって感じたままに言い表せばいいという事。彼ら彼女たちは、

「朝になって、何もかもが全然スウィート（＊「美しく」くらいの意）に思えない。」

なんて歌うにしても、そこには、全てが取り戻せなくなる前に、悪い考えなんてつぼみのうちに今すぐ紡いでしまえなんてトーンの声が歌に入っているわけではない。レイチェルは、

「あたしの幸運は撃ち抜かれちゃったの、でもまだアタシにだって知恵はあるのよ。」

そしてどことなくへ向けて、

「誰がアタシみたいなフリークを好きになるって言うの？／まあ、そんなのどうだっていいわ、アタシはアタシなりに今夜を楽しむからねっ。」

なんて続けて歌う。彼女達が、

「全てが一挙に訪れて、あたしはなんだか誰にだって話しかけてるみたいよ。」

なんて終いには歌いあげるのには、実際相当な覚悟が必要であり、その朝に、しゃべりたがりのままに暴露し上げる夜を超えるのには、遅めのブレックファストがハングオーバー（＊「二日酔い」の意）を乗り越えるレメディ（＊「癒し」くらいの意）になるからだろう。

HMB, SMS オフィシャルページ（英語）

HMB, SMS オフィシャルフェイスブックページ（英語）

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He's My Brother She's My Sister
Discog for the Daytrotter +@:

Track #3). & 4). from 6+1 track "S/T" EP released Oct2010*Track 4 "How'm.." is a free download track!　今回のデイトラ・トラック３＆４の楽曲は２０１０年１０月リリースの初バンドオフィシャルリリース、セルフタイトルEPに収録です。 "How'm..."はそこからのフリーダウンロードカットシングルです！

Also two items from HMBSMS for free & name your price!! You can grab!!
A free download Dec2010's X'mas single "Merry Christmas Everybody"
その他にも２アイテムスがデジタルリリースされていて、
２０１０年のクリスマスシングルはフリーです。
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href="http://hesmybrothershesmysister.bandcamp.com/track/merry-christmas-everybody"&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;Merry Christmas Everybody by He's My Brother She's My 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And the latest single released May of 2011 is that you can name your price!!
そして昨年5月リリースの最新シングルは金額自由設定式（フリーも可！）でDL！！
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href="http://hesmybrothershesmysister.bandcamp.com/track/escape-tonight"&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;Escape Tonight by He's My Brother She's My Sister&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/a&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;gt;&lt;/p&gt;

For their upcoming new album as their first full length and the tour:
（HMB, HMSは只今デビューアルバムとそのリリースツアーの為のプレッジを行ってます）

Pledge.com (below!!)

Thanks,

Kennyy
as MELTRICK

Edited on [(Fri) Jan/6th/2012]　
Posted on [(Thu) Jan/12th/2012]

~~~~

【本日の/Today's... BGM selections】

★VELTPUNCH / ~~"Irony"~~...はなかったので、"Spectacle"
from the latest/7th album "His Strange Fighting Pose" (2011)

--

★Steffaloo / "The Red Runs Free (feat. Pandit )
Steffaloo - The Red Runs Free (feat. Pandit) by jaxart

--

★Blue October / "The Chills" (official MV)

--

Omake!/Souvenir!).

★talk / "Sundae Flip"
(*FREE DOWNLOAD single!! grab it out!／フリーダウンロード中！いえーい！)
&lt;p&gt;&amp;amp;amp;amp;lt;p&amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;lt;p&amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;a href="http://talk.bandcamp.com/track/sundae-flip"&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;Sundae Flip by talk&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/a&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;gt;&lt;/p&gt;

★"Sundae Flip (in my room arrange)"
from skm_records 2nd compilation [in my room - pract]より。
(Whole the compi is for free! grab'm out!!／全部フリーダウンロード、いえーい！)
2nd compilation [in my room - pract] by skm_records

★"Sundae Flip (Flip Inside This House Mix)" by Osamu Ansai
(This is also for Free YEAH!／いえーい！！笑)
&lt;p&gt;&amp;amp;amp;amp;lt;p&amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;lt;p&amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;a href="http://osamuansai.bandcamp.com/track/talk-sundae-flip-flip-inside-this-house-mix"&amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;talk - Sundae Flip (Flip Inside This House Mix) by Osamu Ansai&amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/a&amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;gt;&lt;/p&gt;

Un):Imported/ArticleTranslation/記事翻訳「#Thursday debtut(/maybe last) @Daytrotter: "Magic In the Falling Apart" （「ある崩壊のもとでのマジック」）」fr. @SimonSays

2011-12-30T07:30:00.000-08:00

Live Review: 「」

...

TBC
this part on my article!!

〜〜〜

Thursday
Debut (& probably Last) Daytrotter session
released Oct 6th, 2011
記事ホンニャク・インポート from @SimonSays

My rate for the session:
★★★★☆☆（3.9 / 6 star）

"Magic In The Falling Apart"
「ある崩壊のもとでのマジック」

Link to Simon.

Session Credit:
Words by @Sean Moeller,
（記事 by ショーン・モーラー）
Illustration by Johnnie Cluney,
（イラスト by ジョニー・クーラー）
Recording engineered and mastered by Matt Oliver
（レコーディングエンジニア&マスタリング by マット・オリバー）
Japanese Translation by Teshi
（日本語翻訳 by テシ）
Japanese Tittled by @Kennyy_MELTRICK　
（日本語タイトル by ケニー＿メルトリック）

DOWNLOAD / Listen / Original Article Page
ダウンロード／視聴／オリジナル記事ページ
on Daytrotter.com
＊To download/listen the session or more use Daytrotter website,
join the membership for only $2 a month.
＊デイトラッターセッションのダウンロード／視聴、
もしくはその他のコンテンツ利用には月額たった$2のご利用登録が必要です。（登録方法、詳しい日本語での説明はコチラ！）

Session Tracks:

1). Welcome to Daytrotter from Thursday

2). "No Answers"

3). "Magnets Caught In A Metal Heart"

4). "Turnpike Divides"

★Thursday / "No Answers" live
at Looney Tunes in W.Brooklyn, NY - RecordStoreDay2011

Thursday
Discog for the session:

All the 3 song from their latest and 6th studio album "No Devolución" (April 2011)
今回収録の３曲は全曲新曲、一週間で作曲し上げたという楽曲による今年４月リリースの最新作にしてラスト作の６枚目のスタジオアルバム「ノー・ディヴォルション」にオリジナル収録です。

Buy the record (vinyl) on Amazon.com / Amazon.co.jp

デイトラッター記事日本語訳：

　たまに機械になったふりをする。そう、まるで自動二輪車の様に振舞う。どんな天気であろうと信頼をおいて毎朝を始められる。外はひどく寒いかもしれない。健康を害するくらいに暑いかもしれない。大雨や大雪、雹など、空から降るものならなんでもやって来るかもしれない。僕らは鍵に反応して、各パーツにガソリンが少しずつ与えられ、燃料をラインに巡らせる。僕らは骨と筋肉、全器官や身体を快適化するものを立ち上げる。スケジュール帳やグーグルカレンダーがアラームで教えてくれるようなものも。僕らは他のみんなも自動二輪車と同じだと考えて行動する。彼らも同じように一日を立ち上げ、実際に何が生活に影響しているか考えず、注意を払わずに発動する。

　New Jerseyで活動するバンド、Thursdayは整合がとれた数学とむちゃくちゃな合計値が混在する世界に僕らを連れて行く。問題が解決するという「計算」があるけれど、現実は大体それと異なって、車たちはそういう予想できない答えに苦労して対処している。時間の問題だが、結局道路脇で故障してしまう。その車（同じ製番のもの）のメタルの心臓にはストックが詰め込まれている。僕らは車がこれからもずっと調子よく動いて、ちゃんと昼か夜に与える栄養をパイプから受け取ってくれると信じている。彼らがおとなしくすれば、他の車のメタルの心臓も同じように行儀良くしてくれると信じている。それがお互いの利益になるしね。でもわからないかな。貧乏くじって大体引かれてしまうものなんだよ。他の機械と同じように、欠陥車もたくさんある。しかし、汚くなって、整備してみないと殆ど気づかれない。彼女達と寝て、自分が彼女達のことを好きだと気づくまで。

ThursdayのリードシンガーGeoff Ricklyはあえてこういう人間の癪に障るような傾向性やお互いの周りを回っていることに気付く方法を順番に記録する。二人はお互いに接触し、スピンする。ガードレイルを突き抜けて、山の側面から転げ落ち、二人はぐちゃぐちゃのメタルと驚きに姿を変える。彼は人々がバラバラになった瞬間、故障して傷のついた所に大きな部品を寄せ集めた跡が出切た瞬間にGeoffは魔法を見出す。その傷はセミトラクターのタイヤのボロボロになった部品がインターステート（州間のハイウェイ）でみんなが後ろからついてくる所を避けて出来たみたいだ。

彼は人々がまるで一人で生きているように振舞っている瞬間や、上記のような制御の利かない車が夜明けや黄昏の中、常にそこで走り回り、あたかも傷ついたり、勝負に負けたり、故障したり、改造されたり出来ないと主張しているような瞬間に魔法を見出す。彼はこの美しい非情さ、アーチ状に急落していく所や脆い感情を言葉にし、歌にする。彼は

「君が決心すればするほど、僕から離れて行く」

と言い、そこには我慢できないほど感傷に対する寛容さがあり、そのまま全てを語らせている。このゴム靴の大きい跡が道を逸脱した車を再び反応させる。願わくば、充分に走れるほどのエネルギーで。

--

Original Article:

Some days we pretend like we're machines. We act as if we're just automobiles - counted on to start reliably every morning, in any condition. It could be bitterly cold. It could be unhealthily hot. There could be a deluge of rain, snow, hail, whatever could be falling from the sky at any given moment. We are relied on to react to the "key" being turned and he parts given their little doses of gasoline - getting that fuel into the lines. We haul the bones and the muscles, all the organs and our pleasantness wherever our day planner of Google calendar tells us to haul them. We act as if everyone else is an automobile, as well, doing similar hauling and being counted on to operate without paying much attention to what's really affecting it.

New Jersey band Thursday, takes us into this world of clean math and messy summations, where there's a belief that things should work out, but the truth is typically nothing like that and these machines have a hard time dealing with these travesties, with being broken down on the side of the road, even if that was only a matter of time. There's stock put into the metal hearts of these machines, these versions of machines. We trust that they'll stay in good shape, that they'll continue to receive whatever nourishment we send their ways, via the gullet, via the day or night. We trust that they'll behave themselves and that other metal hearts, in those other passing machines will do the same. It will all be mutually beneficial, but, wouldn't you know it, the short straw usually gets pulled. As machines go, there are a lot of lemons and they're always hard to tell until you begin to get dirty and start kicking their tires some, sleeping with them, finding yourself caring for them too much.

Thursday lead singer Geoff Rickly has made it a point to chronicle these abrasive tendencies in humans and the ways that they find of orbiting around each other, coming in contact with one another and spinning out, busting through the guard rails and plunging over the sides of mountains into heaps of mangled metal and surprise. He finds magic in the moments when people are falling apart, when they're breaking down and leaving wide swatches of their hide behind them, as if a trail, like the scattered pieces of semi tractor tires lying on the interstate to be dodged and avoided by everyone following.

He finds magic in the ways that people act as if they're islands, or the unstoppable machines mentioned above, moving through their dawns and dusks as if they'll always be there and they can't be bested or dented, ruffled or rearranged. He brings this beautiful coldness, an arching kind of free-fall or flailing feeling into the words that he sings.

He offers, "The more you take, the more you leave," here and there's an unbearable openness to the sentiment that still allows it all to be said. It's a slab of rubbery tread causing another swerving machine to react, hopefully well enough.

Thursday Official Site

This is awesome staff, that I haven't expected this was gonna be probably the last one from them...though.

Thanks,

Daytrotter & SimonSays!

Kennyy
as MELTRICK

Edited on [(Fri) Dec/30th/2011]
thru [(Sat) Dec/31st/2011]

〜〜〜

【本日の/Today's BGM selection】

~~TBA!!~~

★Mystery Roar / "Give It Your All" (live)
@The Pill, Great Scott, 12102010

Buy the record @ Amazonz.

Their latest staff released April 2011.
"overboard" digital single "name the price what you want!"
&lt;p&gt;&amp;amp;amp;amp;lt;p&amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;lt;p&amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;a href="http://mysteryroar.bandcamp.com/album/overboard"&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;Overboard by Mystery Roar&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/a&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;gt;&lt;/p&gt;

ArticleTranslation/記事翻訳「@PearlAndTheBeard debut @Daytrotter session; "The Tumult That Gets Into Us."（「僕らに降り注ぐ騒動」）」

2011-12-28T12:27:00.000-08:00

My intro of this post;

These three guys Pearl and the Beard from the current Brooklynsphere or more feels like Brooklyness are amazing. Amazed me a lot in such a very first moment when I met them, when I met their music. First that I still ever remember then was my dear friend, and my big love of, Aly of Lady Lamb the Beekeeper (from Portland, ME / currently in NYC/NewEnglands) had had a show with PATB once before sometime in just before summer season in this year as well as even that time was just after LLTB moved up(?) into the big apple, which had announced from her but I just couldn't make it because it was in NYC, and the big apple is apparently NOT my favorite city in the world entirely, so wasn't really so into it. BUT I got be crazy like immediately since I once checked PATB then from LLTB's announced show's lineup. Which was "no-complain-or-more-like-CAN'T-compalain" music for me, and also more like just "Threaten of Brooklyn Music Scene" for me. This is the big chance to being a time to be just into Brooklyn's scene every single Indie music fan says. And finally I got be able to make one of bunch of their shows was in Boston they came down to play in.. probably July of 2011. The lineup was so so, but totally they PATB made the night super. I think I still have the video my creepy ipod took.

This is like this sort of a long shot:

★Pearl and the Beard - intro "Black Vessel" ~ "Reverend" ~ "Letter to California" live in Boston. @TT.the bears, Cambridge, MA
*16min video／１６分ものビデオなので、気長にお楽しみください。

And half a month ago? at my city and neighbor Somerville's newest venue called "Radio"had Pearl and the Beard with awesome bands together. Then I had talked to the band, three of them then a sexiest lady from the band told me they already got a session for Daytrotter which was soon releasing out. Oh got it. I must translate it. I must get start to make a beautiful relationship with/for this fucking amazing band from the Brooklyn artistic world, especially for Japanese of their new fans!! This is it. This is probably it for most of you first touch on them, theirs. To make a great encounter in between band/artist and fan/audience. I confidentially would say, this is my job for my god. This band reminded me more like gave me realized the thing. Yes, yes yes.

I'll get you in it.

~~~

マイ・イントロ；

英語部のイントロで珍しく気持ちがもの凄くシンプルに綺麗に書けた気がしたものを、新たに日本語にしたり日本語で書くのは、ナンセンスな感じはありませんが個人的にはとても感覚的に切り替えが美味い事で来そうな気がしません。双方の言語に関して。（これがもっとマルチリンガルとかの方にはどうなるのだろうと想像してみたりしますが、まあ無駄ですね、その想像は（笑））ということで、Pearl and the Beard（パール・アンド・ザ・ベアード）、今年の初旬に友達でありそれ以前に音楽的にも人間的にももう大好きなAly（アリー）の、音楽的にディスクライヴするとソウルフォークみたいな、一人バンドLady Lamb the Beekeeper（レディー・ラム・ザ・ビーキーパー）が地元メイン州ポートランドから昨年の１１月にビッグアップルことNYCに拠点を引っ越して直後か今年の初めかに少し大きいイベントか彼女にとって大事なNYでのイベントのメインゲストに呼んでいたバンドがこのPATBでした。男女３人組によるソウルフルな歌とコーラスハーモニーとシンプルなのにその歌をも超える勢いで鳴り渡る楽器の力と彼、彼女達の人間性がじっくりと合わさった音。その時のイベント時にはNYという街、ないしはもう何年も前からインディーシーンを中心に”熱い”ブルックリンというエリアの街、にそこからの音楽は好きでもそこまで興味がなかったので（笑）ライヴに足を運びはしませんでしたが、そのラインナップが妙に気になったのでオンラインからチェックしました。数センテンス前に書いた通りのことを感じ、直感的に「ブルックリンの脅威」に少し怯え始めました、その時。そして、忘れもしない今年６月、PATBがやっとボストンに来てくれてライブを観ました。釘付けでした。音を初めて聞いたときには比べ物にならない衝撃とその脅威さが膨張しました。もう言葉通り「ブルックリンに脅されている」くらいのものです。

それからは、今年の夏からにかけてNYCにも比較的積極的に足を運び、ブルックリンでもライブを観ました。この記事を書いている数日前まで約一週間ほどまとまった用事でNY遠征をしていたのですが、その直前にPATBも彼が所属する素敵なレーベル"Family Records"の主催イベントのトリをチャイナタウン近くのBowery Ballroomというヴェニューでその素敵なレーベルメイト達と行っていました。僕は観れなかった代わりに一足先にNYインしてた僕のGFに代わりに観に行ってもらったのですが、相当素敵だったらしいです。ああ（笑）

☆Pix --

Pearl and the Beard @Bowery Ballroom, NYC

Jocelyn Mackenzie（ジョセリン・マッケンジ）,

Emily Hope Price （エミリー・ホープ・プライス）

Jeremy Styles（ジェレミー・スタイルス）

Pix by Emily

*I have also more photos and some new song they played at Radio in Somervile-MA in November 2011, last month that I had shot but hadn't edited yet. Stay tune!!

Oh but wait! there is already one the show video by my friend and my favorite awesomeness live music video taker Bob's one!! Take a look at:

★Pearl and the Beard - "Vessel" live at Radio on 11/30/2011

★Pearl and the Beard / "James" (brand new song) at Radio on 11/30th/2011 recorded by Bob.

(http://youtu.be/4CUWMqkbusg)

僕の撮った先月１１月の彼らのライヴの写真とその時の新曲映像もありますので、近々、英語ブロッグの方にでもアップ出来ればと思います。それまで、この僕が初めて彼らのライヴを観た時のケンブリッジ TT the Bearsでのライヴ模様のiPod映像をご覧下さい。（その映像のオープニングのロング映像はこの記事英語部にて。）

★Pearl and the Beard / "Swimming" @TT.the Bears [() June//2011]

でもその数日後に僕らは同じBowery BallroomでTwin SisterトリでWidowspeakと友人で先々週に突如解散してしまったQuiltyでもドラムを叩くJulian、達の大好きなバンドAva Lunaという、素敵過ぎるラインナップのソールドアウトショウに招待されていたので観てきました。（*Twin Sisに関しては２０１０年リリースのかなり秀逸なDebut Daytrotter sessionがあり、当時から僕はそれを聞き込みまくっていたのでそのセッション記事を近いうちに翻訳できたらと思います！Twin Sisは個人的に正直その頃が一番好きだったので、初めてライヴを観れた今回はあまり感動はなかったですが（というのも、フロントガールのアンドレアのキャラも含めたビジュアルの可愛さなども昔の方が好みで、今のビッチ感も好きですが、twin sisに関しては昔の方が似合っていると思うんです。）、なかなかいいライヴでした。Widowspeakもボストンフィネックスンのライター仲間、ペリートウィンのリズのイヴェント以来二度目で、大好きなバンドでしたし。Widowspeakのアルバムの初回プレスのカラーヴァイナルは売ってませんでしたが。。涙　まあ、正直にAva Lunaも含めこの辺りは僕の中でPATB以降のその”ブルックリンの脅威系”に属するバンドで（笑）、特にAvaのライヴは久々に鳥肌もの、むしろマジで泣いてしまうほど素晴らしいライヴでしたので、それについても近々。）

　ということで、話は戻りまして、Pearl and the Beardのデイトラターです。ぜひ皆様にも気に入って頂けましたらとても幸いです。彼らのプロパー音源などに関しても載せますのでチェックして下さい。

~~

Japanese Translation of their debut Daytrotter session article:

My rate of the Daytrotter session:
★★★★★★ (5.5 / 6 star)

Pearl and the Beard

"The Tumult That Gets Into Us"

「僕らに降り注ぐ騒動」

debut Daytrotter session

released Friday, Dec 23rd, 2011

Click below to/下記クリックより:

DOWNLOAD / Listen / Original Article

ダウンロード／視聴／オリジナル記事

resister require for only $2 a month

ほぼ全てのコンテンツ利用は月額２ドル登録となります。

on Daytrotter.com

＊To download/listen the session or more use Daytrotter website,

join the membership for only $2 a month.

＊デイトラッターセッションのダウンロード／視聴、

もしくはその他のコンテンツ利用には月額たった$2のご利用登録が必要です。

（登録方法、詳しい日本語での説明はコチラ！）

Session Credit:

Words by @Sean Moeller,

（記事 by ショーン・モーラー）

Illustration by Johnnie Cluney,

（イラストレーション by ジョーニー・クルーニー）

Recording engineered by Mike Gentry

（レコーディング・エンジニア by マイク・ジェントリー）
Japanese translation+tittle by @Kennyy_MELTRICK
（日本語文＋タイトル翻訳 by ケニー・メルトリック）

Session Tracks:

Welcome to Daytrotter from Peal and the Beard
"The Lament of Coronado"
"Lost In Singapore"
"Vessel"
"Douglas Douglass"

P&tB Discog:
Pysical cd on Amazon.com // MP3 on Amazon.co.jp

M-2 & 5 from PATB's 2nd album "Killing the Darlings" (2011)
*There is also vinyl for only this album from their all discog which can be bought from their label website or at their show. (Check the below)　この作品のみヴァイナルもリリースがあるのですが、基本的にはライヴ会場もしくは彼らのレーベルサイトでのオーダーのみの扱いです。

M-3 & 4 from 1st album "God Bless Your Weary Soul, Amanda Richardson"(2009)

~~~

And also they have one more EP released in 2010 in between the 1st and the latest 2nd record called "Black Vessel EP" (cd/MP3)

*Their physical records are probably only sold at their show or online Family Records online Store!! Get your hard ones!! (They ship internationally!!) PLUS, you can grab their home recording live EP called "At Home With Pearl & Beard" for FREE on the website!!!!

＊PATBのフィジカル音源（cdと最新アルバム「KILLING~」はVINYLも）は彼らのウェヴサイトからインターナショナルオーダーでも扱っております！！しかもそのうち彼らのホームライヴレコーディングEPがフリーダウンロード出来ます！ので、下記レーベルウェブサイトへぜひ！！（DL方法など、お気軽にお尋ねください！！）

ORDER FROM HERE
↓↓↓
http://store.thefamilyrecords.com/collections/patb

独自翻訳：

　パール・アンド・ザ・ベアード（Pearl and the Beard）の楽曲「ヴェッセル ("Vessel")」（＝ (n) 名詞「巨大船」などの意。）を聴くと空模様を想像出来るかもしれない。ぞっとする様な不安感があなたを襲う。心が乱れるほどつんざく台風の目の中へとあなたは押し込まれる。これはもしその状況があなたに何一つをも与えることのないような場所にあなたを置き去り、空中と雲々の間における最悪の状況下である。彼ら（PATB）のアコースティックギター達によって組み立てられた音 --- もし万が一彼ら彼女達が歌いごもったり、どもったり、彼らの味を失うようなプレイがほんの少しでもあるなら --- と、その拭いながらも、そんな海の様なストリングス（ギター弦）の深々しい音が悪役達から逃げて回っているワンシーンを演出してくれる。僕らはそんな悪いヴァイブ（空気）によって負かされるけれど、もし僕らが物事をただ想像しているだけだなんて事に気がつきはしない。彼らの音楽の持っているものはそれだけの事。僕らは歌声で埋め尽くされた海に直面し、休む事なく呻いて（うめいて）は泳いでいて、尻尾や尾びれを裏表とふらふらさせたり煌めかせているクリーチャー達に顔を合わせ向き合わされて、うんざりさせられたり怖がったり、--- それは同時に起こるからひどく疲れちゃうしね。 --- すべてがそんな海水の中にあるような感情があって、水面ではそのリヴェンジ合戦みたいなことが繰り広げられている。その感情はもしかしたらこれまでにも経験したことがあるものかも知れない。--- そのフレーズは言ってしまえば、そんなリヴェンジのメカニズムの一種で --- その曲が一殺人鬼の話で始まるからもでもある。その感触はヘミングウェイ（ヘミングウェー (Hemingway)《1899‐1961; 米国の小説家; Nobel 文学賞 (1954)》）の魚釣りの小さな旅の話の一節の様で、でも捕虜され、獲物であり餌とされたそのスピリットは、もはやあの世から語りかけてきている。それは一匹のチョウザメかマグロだろうし、いくらか大きく、うろこの付いた獲物で、更に深くにもそいつは歌いやがり、

「持ち合わせてる根性（感情）なんて吐いてしまい／デッキからそんな気持ちの全ては流してしまえ／手を焼き尽くし／地獄が自身のそれを焼き尽くすように／セイラー（船員）よ、着いてきな／そんな風邪や海々は曲げてしまえ／休むことなく放浪し続けろ／セイラー、ほら着なよ！」

と終焉へと歌いかける。もはやスーサイド・ノート（自殺遺書）かのごとく綴られ、ある種、スウィートな恵みを乞うているかのごとく。ここで描かれるすべてはもうすぐそのデッキの中で終わりを迎え、緊張の糸が張っていて、その最後のひとときの為に突き放していたりぐいっと引きつけていたり。

Jocelyn Mackenzie（ジョセリン・マッケンジ）, Emily Hope Price （エミリー・ホープ・プライス）そしてJeremy Styles（ジェレミー・スタイルス）の、このニューヨークのトリオは我々をそうした開いては閉じてゆくホラーだったり栄光だったりの素晴らしい物語の中へ連れて行ってくれる。"ヴェッセル（Vessel）"（＝名詞「容器、"船"、脈管」）という楽曲はおそらく、ある海での常軌を逸脱したお話で、ボートが波によって割られその狭間でほとんど乗り継げている人々は、けれどそうでない人々もそう遠くまでは流されていない、なんて状況の歌で、片やこのニューヨークバンドの最新作"Killing The Darlings"（「キリング・ザ・ダーリングス」）からの"Douglas Douglass"（「ダグラス・ダグラス」）という楽曲はリヴァイヴァルソングでシーダイエスト・プロボケーション（＊あまり知られる事なく語られた怒りの記録／教え）の一種である。ロー・ダウン（「下劣」）ソングであり、励ましい情勢歌であり --- 一人の男が一人の新しい女性であり一人の妻である妖婦たちにハマってしまい、彼の人生は地獄へと化してしまう。彼は禁断のものを欲してしまい、でもその禁断は彼を止めようとはしない。この楽曲の踊り足とクラッピングの音は我々に襲いかかってきて --- 彼のその女性達に捕われてしまった彼のハートビートを伝えてくれ、そんな邪道へと逸れてしまうようなそんな導きである。全ては手から滑り落ちてゆき、終いには一瓶のアップルワインで深酒して彼は妻を首閉めてしまい、そんな渦を巻いてダークに染まっていってしまう思考の果てに考え込み、彼が信じて彼が求めるもう一人の女性へとチェイズ・ダウン（意としては「強いお酒のあとにお水などを一杯飲む事」）し、その女は

「あなたが得るものは何だってちょうだい／あたしは貴方が貴方じゃないようにしてあげるの、、、／貴方の魂のすべてをちょうだい／あたしは貴方をあたしの器に浸しちゃうの。」

マッケンジ、プライス、そしてスタイルスの３人は更に歌い、続け、「長い道のりを堕ち／そう、これは長い道のりの堕落／それも彼は知っていての事。」このダグラスはそんな堕落に身を染める。それは巨大なドロップのような感触だが、パール・アンド・ザ・ベアードはそれでもその物語を健全にそして浮遊感を持って楽観的に鳴らし、その男はあたかもノー・チョイスで同じ事を繰り返してしまいがちに、その機会をただ与えられているかのように描く。それはフォークス（人々）が己の女々しいチョイスやそんな人生の連鎖的反応を見続けたり聴き続けたりすることの光彩を表している。これがまさに我々のエンターテインメントに対する大いなる報酬なのである（エンターテイメントとはそういうものである）。

Original Article of Daytrotter:

You can picture the look of the sky in the Pearl and the Beard song, "Vessel." It gives you the willies. You're looking into the piercing eyes of tumult. It's the worst in air and clouds staring at you like they'll stop at nothing to end you, to wipe you clean off the map. The building acoustic guitars - played as if they were stuttering, stammering and losing their shit a little bit - and the sweeping, depths of the ocean strings make a scene that's crawling with villains. We're outnumbered by the bad vibes, but we're not sure if we're just imagining things. It could be just that. We're faced with a sea full of voices, with creatures restlessly roaming and swimming, flipping and flashing their tails and fins back and forth, bored and scared - tired of being both. There's a feeling that everything out there in the waters, upon the waters is plotting some kind of revenge. Some of it may have already happened - say, phase one of the revenge mechanism - as the song begins with a murder. It feels like something out of one of Hemingway's fishing excursions, but the spirit of the captive, the prize and the meal is speaking from the beyond. It could be a sturgeon or a tuna, some big, scaly conquest, and in defeat it sings, "Drain my gut/Spill it all out on the deck/Burn their hands/Sure as hell has burned my own/Sailor, come to me/Bend the wind and seas/Restless wandering/Sailor, come!" asking for the end. It feels like a suicide note, a begging for sweet mercy. It will all be over soon, on that deck, strung up, kicking and twitching for the last times.

Jocelyn Mackenzie, Emily Hope Price and Jeremy Styles, of this New York trio, set us up for these wonderful tales of open-ended horror and glory. "Vessel" might be a sea-based escapade, with waves cracking boats and people in half, winning mostly, though not getting too far, but "Douglas Douglass," from the New York band's latest record, "Killing The Darlings" is a revival song of the seediest provocations. It's a low-down, sweaty affair - a man stuck between a temptress of a new woman and a wife that makes his life hell. He wants something that he shouldn't take, but it's not going to stop him. The stomping and the clapping overtake us - providing his conniving heartbeat, the leader of the astray. Everything gets out of hand, he chokes his wife after a bender of apple wine and thinking through those swirling dark thoughts and goes to chase down the lady he believes he wants, the one who had said, "Give me give me what you've got/I'm gonna make you what you're not…/Give me, give me all your soul/I'm gonna dip you in my bowl." Mackenzie, Price and Styles continue, singing, "Long way down/It's a long way down/And he knows it." Douglas takes the tumble. It feels like a mighty drop and yet Pearl and the Beard still make it sound wholesome and buoyant, like the man had no choice and would do it the same way, given the opportunity. It's the splendor of folks making their own poor choices and getting to watch or listen through the consequences. It's our most rewarding form of entertainment.

Pearl and the Beard Official Site

Thanks, PATB & Daytrotters!!!

Kennyy

as MELTRICK

Edited on [(Sat) Dec/24th/2011]

Thru [(Wed) Aug/28th/2011]

〜〜〜

【本日の/Today's BGM selection】

★miniBoone / "brand new thing" live at I AM FESTIVAL - Sep 11th. 2010

"You Fucked Up. You Fucked Out."

"You don't have to be a photographer."

☆You can grab their latest EP cd which includes this fucking nice brand new thing song! この曲が入った彼らの最新EP、かなり良いですよ。ライヴも良いですし。

Order "On minibooone mountain" EP (Nov/2011)
via Amazon.com // Amazon.co.jp

Un):【Intro. Ever. Never.】「The End of the second of Starting Overs.」

2011-12-26T12:27:00.000-08:00

New of my "Intro" on the post...:

【Intro. Ever. Never.】
「The End of the secondly of Starting Overs: Intro n Eng.」

TBC!!

--

【Intro. Ever. Never.】
「The End of the secondly of Starting Overs: Intro n Jpn.」

＊こちらは (Sun) Dec/25th/2011 updatedの私めの最新プロフィール（みっくしからの完全抜粋ですが）です。めんどいので、丸コピペで。むしろ、去年バージョンとあんまし変わってません（汗）

名前: wanna be -MELTRICK- popper

現住所: 海外アメリカ合衆国

出身地: 新潟県新発田市

趣味: スポーツ, 料理, お酒, ファッション, アウトドア, インターネット

キーワード: Kentarow/こぢけん as MELTRICK/Meltnoiz

自己紹介 :

本日のご来場ありがとうございます。

■通称■　
“こぢけん”

又っわ　（∞）　Also Known As　

"Kenny(+"y")"
as well as .... "MELTRICK"

(코지마 켄타로)

◆◆◆◆My Blurb of 2012s/ 2012年式プロッフ◆◆◆◆

しがない顎髭ものかき系総合芸術愛好伝達表現家？
しもえつ生まれ大阪経由ボッストンUS在住。
主夫志望。

Also,
A Drummer/SW/Multi-.
A RadioPodcastinator... etc.

（あとはとりあえず
【The End of the end of Starting Overs】へ。）

・・・。

■■WELL.com■■　
お気に召す方は・・・、
なんでもお気軽にお願いしますね。
***Sexual Minority, Respect for each others等の
ご理解はお持ち合わせの上、お願いしますね***

人見知りはしませんし、
オープンマインドな方ではございますが、
如何せん、面倒な方かも知れませんね。はい。
でも、お会い出来るのが楽しみです。

▽[鑑定書] ??
（http://kantei.rw.to/mixi/）

▽【as trace in 2011】
今年はまず足跡帳作ってみました。ぜひお気軽に。
http://mixi.jp/view_diary.pl?id=1660095047&owner_id=5675360

■■■My "MELTRICK" CONTENTs LIST■■■　

▼TOTALLY from here/there:
「希望の灯（仮）」
(http://flavors.me/meltrick2aka2kennyy)

oR

▼すべての
マイコンテンツ情報/プロファイル(profile)等は
こちらから【The End of the end of Starting Overs】
http://mixi.jp/view_diary.pl?id=1672346750&owner_id=5675360

日/英で垂れ流すように綴ることで主なのです。

メインUpdatesは↓
Prototype:【MELTRICK】NEWS/WORKS!!
(http://meltrick-newsworks.blogspot.com/)

■■■■My Collaboration w/■■■■

▽Outside of MELTRICK works..
▽My managing mixi communities..
【The End of the end of The Starting Overs】へ。

◆◆◆◆　　2012s blurb ends　　　◆◆◆◆

■近況/Currently■
"Too much to dwell on the phenomenon(s) ..."
（アエギナガラモ、しがみついてる。）

最近はよくお酒に飲まれております。
NYCにちょいちょい行きます。
厭になったり熱狂したり愛おしくなったり、
めんどくさい人間と化しております。
そもそもがインタネーットワールドを
めんどくさく感じ始めております。

まあそんな感じです。
［In the end of/2011]

からの、？？

■■師匠■■
2010年５月に解散した
大阪発ロックバンド・Jet Lily Star
（ex-JET KELLY/TOKYO DROP）
ドラムス・長尾俊雅氏。と、そのメンバー達。
マイスペ（http://www.myspace.com/jetlilystar）

■■■座右の目/motto(?)■■■
『変わらずに変わってゆく。』
『そんな猫にわたしもなりたい。』

■それでは、、今日会えないときの為、、

「おはよう」
「こんにちは」
「さようなら」
「おやすみ」

「また明日」

Seeeeee ya around!!

...These phrases are inspired by
one of my favorite films called,
"THE TRUEMAN SHOW" starring Jim Carrey.

*All Updated:
[(sun) dec/25th/2011]

好きなペット : Hate PET but CAT.

好きな言葉: 男「男はさ、たいがいロマンティックな生き物なんだから。」　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　女「気持ち悪い。」

好きな音楽 : 「エモなんて呼び方は馬鹿げてる。すべての音楽にはイモーションがある。」 (http://www.youtube.com/watch?v=mbdh0Qm_5A0) by Ian Mackaye from FUGAAAZI

〜〜

Edited [(Wed) Nov/23rd/2011]
thru [(Mon) Dec/26th/2011]

〜〜

【本日の/Todays...】

I've decided that I'm going to make a cooking blog or erotic blog since I turned on my birthday a week ago, so the little start, I'm putting the stuff from here.
一週間前の誕生日、

BGM selections:

Movie Trailers:

Cookings:

Those TBP!!

An Old Work/Re-Imported:「ボストン・ベスト・ローカルバンド Mean Creek – new “Hemophiliac” Extended Play FREE DL now!!」

2011-11-19T15:08:00.000-08:00

Today is Aurore of Mean Creek's Birthday. Dedicating to her. Revising this of one of my confidential previous works for music web site called INDIE NATIVE.com in Japan! Again, Happy Birthday, Aurore! Super excited to Mean Creek's next record coming out!!

「ボストン・ベスト・ローカルバンド Mean Creek – new “Hemophiliac” Extended Play FREE DL now!!」

Post : 29-01(January)-2011 | indienative |
(http://www.indienative.com/2011/01/bostonbestlocalband-mean-creek-new-hemophiliac-extended-play-free-dl-now/)

★Mean Creek / "Hemophiliac" Extended Play
&lt;p&gt;&amp;amp;amp;amp;lt;p&amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;lt;p&amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;a href="http://meancreek.bandcamp.com/album/hemophiliac"&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;Hemophiliac by Mean Creek&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/a&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;gt;&lt;/p&gt;

And the latest new digital single form MEAN CREEK has been out since June 2011. Check it out too!
via my【NEW/OLD Melt-Re'view'comendations.】or【FREE SHITS or not】sections.

★Mean Creek / "The Land Of Hopes & Dreams"
&lt;p&gt;&amp;amp;amp;amp;lt;p&amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;lt;p&amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;a href="http://meancreek.bandcamp.com/track/the-land-of-hopes-dreams-2"&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;The Land Of Hopes &amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp; Dreams by Mean Creek&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/a&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;gt;&lt;/p&gt;

and also their smash hit seven inch "The Comedian" 7" single is also for FREE Downloading now. (But the physical is supposed to be sold out in the US, I think. Check it out on googling for the distribution! *I write about it in Japan down in Japanese below!)

★Mean Creek / "The Comedian" 7"
&lt;p&gt;&amp;amp;amp;amp;lt;p&amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;lt;p&amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;a href="http://meancreek.bandcamp.com/album/the-comedian"&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;The Comedian by Mean Creek&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/a&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;gt;&lt;/p&gt;

I think I should review their shows more, I have couple of their brand new songs that I ipod recorded them such as they played with YUCK at TT and this below flyer's show. (This flyer is one of my best favorite flyer in this year! And I have kinda influenced by this to just rough sketch my MELTRICK ...something for my @MELTRICK twitter account pix.) Well, whatever I will do it soon!

MELTRICK on twitter! (Did I tell you I made the new account of MELTRICK before? haha.)

MEAN CREEK flyer history!

〜〜

本日（November/19th）、Mean Creekの紅一点リードギタリスト・Aurore（オロレ）のバースデイなんです。先程fb上でも書きましたが、（まあ日本語ブロッグの方のいつかの記事やらには書いたかも知れませんが、）ミーン・クリークは僕がボストンに移って来てから最初に観たボストンの拠点のバンドです。それを加味しようがしまいが、とても思い入れ深く、その全てが大好きなバンドです。彼女にはいつも良くしてもらっておりますし（彼女だけでなくメンバー全員にですが）、ミーンクリークは、自信を持って誰にでもお届け出来るバンドです。今冬から来春に掛けて新しい、サードアルバムのレコーディングに入ります。この秋には大きいショウもこなし、そのショウでは毎回何曲かそのアルバムに収録されるであろう新曲も披露されています。

彼らのバンドキャンプにもうひと作品、昨今の作品で7"のフィジカル７インチヴァイナルはOld Flame Recordsよりリリースされておりましたが、日本ではお世話になっているTHE STONE RECORDSさんが販売されてくださっております！

THE STONE RECORDS:

Mean Creek - "The Comedians" (300 Ltd 7")

(http://www.thestonerecords.com/?pid=31709630)

近々、彼らのその新曲群の映像や９月のYUCKとのライヴレビューなどもアップ出来ればと思っています！！乞うご期待。

Thanks,

Kennyy
as MELTRICK

Edited on [(Sat) Nov/19th/2011]

~~~

【本日の/Today's BGM selection】

I think, She's a friend of Mean Creek and mine too. lol And one of my respectable friends in Japan JOE interviewed Colleen Green, is on his blog (in Japanese, but so I will post the English version soon)!!

ミーンクリークとも友人で、今はLAに移り戻った（元々はボストン出身やけど）コリーンの新曲。日本語での彼女のとても素晴らしいインタビューが、いつもお世話になっているJOEさんのブログで先攻後悔されております！！チェックして下さいね！

sOUnDFreAk LOves yOU
Colleen Green - Cujo (2011) & Interview
(http://sflovesu.exblog.jp/14960589/)

Cujoには入ってない新曲かな？

★Colleen Green / "My Boyfriend"
live @ the magic stick, detroit mi - 10/15/11
Opening for DUM DUM GIRLS.

Un):Translation/独自翻訳/TransferedLiveReview:「#GemClub "Interview on @DigBoston Nov2011!!" + LiveReport "Neighboor Gems lovin."」

2011-11-12T13:01:00.001-08:00

"or better yet, we’ll do it for you."
「」

Posted on November 4, 2011 by HILARY HUGHES Email

(http://digboston.com/listen/2011/11/interview-gem-club/)

★Gem Club / "252" (MV)

My Introduction & Live Review:

I feel this song is exactly sad song, even crying. (Maybe not only this song from Gem Club.) Maybe that's because I did this job. But we may not have to look away from the sadness or might be more "can't" do it if we were experiencing or facing the sad moments. This is a part of our life. I may be not good at following new music anymore that before or whose else (which is not good to be a music writer professionally though). Besides the realization that I have, I'm going to trust myself to have new musics by my own way. This Gem Club is absolutely one of it, that I've been really into before I could see the live music and talk to them in person, from online world.

I met Gem Club in person at PA's lounge where we're living each. And talked to the band plus their visionary-jay (VJ).

★Gem Club - live at PA'sLounge

They're supper sweet. One of my music lover friends explains them like "His voice comes up from a deep forest and..."

TBC.
(Live Report part)

~~

先日、兼ねてから繋がりのあるThe Loomというブルックリンのフォークオルタネイティヴバンド？の待望のデビューアルバムリリースツアーのボストン場所が、これまた兼ねてから気になっていたバンド？ユニット？Gem Clubのアルバムリリースが大好きなレーベルHardly Artより最近あり、この２組（プラス彼らと縁あるアーティスト２組 moreで）のリリパが重なるという素晴らしいショウが僕の住む町の近所でありました（笑）

（The Loom&the! more!についてはまた別で特集組んでいますが！）

このライヴでのGem Clubとの出会いがとても運命的な感じでございまして（笑）こりゃ何かせねばと！！今回の地元ボストンのエンターテイメント新聞"Weekly Dig Boston"でのGem Clubのインタビューを翻訳するに至りました。なんせ、彼ら彼女達も僕と同じボストン郊外の町に住んでいる超ネイバーズと判明したので（笑）今後僕個人でも彼らに機会を拭ってインタビュー出来ればとは考えておりますが、ひとまず地元での彼らの発祥したメディアでの空気感をお届け出来ればと思います。

TBC!

(ライヴレポのパート等はTBC！)

GEM CLUB

"The hardest songs they've had to write."

「」

interviewed by @HILMONSTAH

Poetry “In Wavelengths”: We’re in wavelengths for an evening. / I’m breaking up slowly. / See my face under electric lights / and hold me there in silver thread. / Lately I’ve been leaving. / No one has what they wanted.

「イン・ウェイヴレンシス（"In Wavelengths" = ザ・直訳「波長にて」）」のポエトリー（詩歌）にて：「僕達はある夕暮れの波長の流れの中にる。／僕はゆっくりとばらばらになっていく（別れる）んだ。／エレクトリック・ライツのもとで僕の顔を見てごらん／そしてシルバーの光の糸で僕を縛って捕まえて。／それでも僕は離れて行くんだけれど。誰もが望んだ事を叶えちゃいない。」

&amp;lt;p&amp;gt;&amp;amp;amp;amp;amp;lt;p&amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;p&amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;a href="http://gemclub.bandcamp.com/track/in-wavelengths"&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;In Wavelengths by Gem Club&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/a&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;gt;&amp;lt;/p&amp;gt;http://gemclub.bandcamp.com/track/in-wavelengths

They’re all over Pitchfork. They’re debuting videos on SPIN. They’re in the midst of finalizing a European tour, and they just completed their first festival run at the CMJ Music Marathon. It’s been awhile since a Boston band has hit buzz status with such a warm welcome as Gem Club, but for Christopher Barnes, Kristen Drymala and Ieva Berberian, it doesn’t mean the attention—or the music—necessarily came that easy. Just ask Christopher Barnes—

Gem Club（ジェム・クラブ）の面々はピッチフォーク(Pitchfork.com/P4K)の一面を飾った。彼らはスピンマガジン(SPIN.com)でもビデオデビューしている。彼らはまさに今はヨーロッパツアーの計画の詰めの最終段階にいて、ちょうど彼らにとっての初のフェスティヴァル出演であるCMJ Music Marathon (*２０１０年に３１年ぶりに復活したNYCのブルックリンの多くのライヴハウスやクラブやときたまハウスやベースメントを中心に１０月のある週に同時多発的に開催されるフェス。フィルムフェスも。日本で例えるなら大阪のミナミホイールなどに近いです。)を終えたばかりである。ボストンのバンドがそうしたメディアでGem Clubの様な温かい向い入れられ方で話題沸騰となるのは久方ぶりであるが、クリストファー・バーンズ (Christopher Barnes)、クリステン・ドライマラ (Kristen Drymala)、そして新加入のイーヴァ・バーバリアン (Ieva Berberian)にとって、それは「注目」というわけではない。ーーもしくは彼らの音楽自体の本質がーー必要に応じて簡単に出来ているというわけではなかった。シンガー／キーボードのクリストファー・バーンズにきいてみたーー

"or better yet, we’ll do it for you."

How’d CMJ go?
CMJフェスティヴァルはうまくいった？

Barnes: It was amaaaazing. We had a really good time. We did some sort of off the cuff performances. We did one at this loft space in Brooklyn with some musical and visual pairings. I sort of wish we had had time to go and enjoy the festival because there was a lot of things I wanted to see there but I didn’t end up getting around to it.

バーンズ（以下B）：もうアメーージングだったよ。僕らはとにかく良い時間を過ごせたんだ。いくつかある意味で即興でのパフォーマンスも行ったし。そのショウはブルックリンだったんだけどロフトのスペースで何人かのミュージシャン達とビジュアルアーティスト達とのペアで一緒にプレイしたりね。でもある意味でこのフェス自体を僕が観に行って楽しみたかったフェスでのショウやイベントの為にはちょっと時間が足りなくって、それが残念だったね〜。

（＊実際、CMJは五日間の一日中、１３００を超えるアーティストと１２０,０００を超える音楽ファンが集い、NYのストリートや８０カ所以上のライヴハウスなどの会場を埋め尽くす。）

So, your first festival’s behind you. What are you up to over the next couple of months?
今回、クリストファーにとっても初のフェスティヴァル経験だったわけね。それを踏まえて、今後の予定はどうなっているの？

Barnes: We’re in talks right now to go to Europe at the end of November. We have half of the tour dates settled but we don’t have anything set in stone that that’s going to be happening. We have all our fingers crossed. That’s the plan.

B: 僕らは今、１１月の終わりからのヨーロッパツアーについてちょうど話し合っている最中でね。その半分のスケジュールは完了してるんだけど、もう半分が実はツアーを回る事自体は決まっているんだけど滞っててさ。僕らもフィンガークロスしてるわけさ。まあそんなプランなわけなんだ。（＊フィンガークロス／クロスフィンガーは幸運を祈ったりするときのおまじない。）

（＊実際、こうしたことツアーやツアーで回る町はルートの関係上であったりで決まっているのに、その先で演奏するヴェニュー／ライブハウスなどの会場が直前まで決まっていない、なんてことはバンド／マネージメントにとっても直面する事があります。僕もボストンで良い会場はないか？とよくツアーバンドから尋ねられます。）

Has anything changed between you guys between this record and the last one?
今作（２０１１年９月に名門レーベルHardly Artリリースの「Breakers」）と、前作（２０１０年６月セルフリリースの「Acid and Everything」）との作品とで、メンバー間に何か変化はありましたか？

B: Ieva’s certainly a welcome addition. I feel like she’s an integral part of a lot of pieces on the record, and I feel like I can’t do those pieces without her performing them. In terms of collaboration, I’m looking forward to working with her more on upcoming releases. She’s a very creative person and I feel like she adds a very interesting dynamic creatively to songwriting.

B：イーヴァの加入が着実に大きいよね。僕は彼女の存在は今回のレコードで沢山のピースで

必要な不可欠な役割を担っていると感じるんだ。彼女がそのピースをパフォーマンスしてくれなければこの僕はそれらの楽曲を成し遂げられない。そんなコラボレーションがあるから、彼女と今後リリーする作品を一緒に作る事をもの凄く楽しみにしてるんだ。イーヴァはとてもクリエイティヴなひとだから、ソングライティングのメンでもクリエイティヴでドラマティックな好奇心を注いでくれるなって僕はよく感じるのさ。

Are there any songs that stand out on Breakers that were difficult to get through? Were pieces of the record more challenging than others?
「ブレーカーズ」の中の楽曲からの傑出で特に生み出すのが難しかった曲はありましたか？チャレンジングだった部分など。

B: We sort of booked the whole thing backwards—I was like, “Okay, I’m going to book a studio session in February but I’m not quite sure what I’m going to bring into that.” “In Wavelengths” never would have made it on the record because that was the song I wrote the night before I had to go into the studio …

B：僕らはある意味で今回の全体を振り返るかたちで追って行ったんだ。ーー僕は、「Okay、僕がじゃあスタジオでのセッションを２月に予約しとくけど、その時にどんな曲を持っていけるかはわかんないよ。」って具合で。"In Wavelengths（イン・ウェイヴレンシス）"は今作の為に作られたわけじゃないんだよ、だってこの曲は僕がスタジオ入りしなきゃ行けなかった丁度前日に書いたものだったわけだし。

"I’m in love with it."　

（「僕は恋をしているんだ。」）

<a href="http://gemclub.bandcamp.com/track/in-wavelengths">In Wavelengths by Gem Club</a>

"It was something that never would’ve happened had I planned for it."　

（「この作品は僕が意図して創作したものなんかじゃない。」）

B: It happened out of being a total wreck, like, “I don’t have anything to bring to the fucking studio tomorrow! I better write something at home.” In terms of songs that were difficult to write,

I wrote that about my sister who’s diagnosed with cancer. That was hard for me.

B：今回はごちゃごちゃした状態から抜け出すところから始まったんだ、例えば、「オー！明日のファッキンスタジオへ持ってるものなんて何もないよ！何かちゃんとしたのを家で書いて行かなきゃ！」っていう状況から難航して生まれたのが、

（↑のbandcampの「２５２（「トゥー・フィフティ・トゥ」）」という楽曲だそうです。）

この曲は僕のシスターがカンサー（ガン）だと診断させてしまったことについて書いたんだ。とっても辛いことだったよ。

What about playing live? If these songs were difficult to write, does that inform their performance?
ライヴでプレイすることに関してはどうですか？もしこれらの書くに難航した楽曲というのはライヴでパフォーマンスするのにも影響がありますか？

B: Yeah definitely. I don’t want to sit here and tell people what the songs are about, you know? It’s nice if people can glean their own meaning from the pieces. In a live situation, if I can go to the source and if we can get there together, I feel like I’ve done my job. I think a lot of times that’s difficult for us because we’re sort of thrown into these situations where there’s a lot of background noise and a lot of people out on a Friday night.

B：Yeah、そうだね。僕はこうしてキーボードの前に座って演奏して歌って人々にその曲達でどんなことを歌われているかなんて知っても貰いたくないんだ、ねえ？　それは人々がそれぞれで楽曲の節々からそれぞれに意味を汲み取ってもらえる方が素晴らしいことさ。ライヴでの状況化で、もし僕がそのソース（大元）に迎えたとして同時に僕ら全員でそのライヴでの極みに達せたなら、僕は「ああ僕の仕事は達成されたな。」って感じるだろうね。それに達っするってことで、ライヴの本数を増やすってのは僕らには難しい事なんだ、何故なら僕らのプレイスタイルや音楽はそういう整ったシチュエイションへも投げ込んで集中しなくちゃならないから、バックでの雑音がうるさかったりフライデーナイトの人々の雑踏なんかにはながされちゃうからね。

（TBC！！！！ sorry I'll be back on this shortly!!）

As long as there’s one or two people listening, I feel successful.

Has anyone surprised you with their interpretation of or reaction to your music?

Definitely. I’m excited that people can take these songs their own way. People have certainly been off from where I’ve been, but it’s not insulting or stupid, you know?

GEM CLUB
WITH THE LOOM, REVEREND, CHRISTOPHER PAUL STELLING

THU 11.17.11

T.T. THE BEAR’S
10 BROOKLINE ST.
CAMBRIDGE
617.492.0082
9PM/21+/$15
@TTTHEBEARS
TTTHEBEARS.COM
9:30PM/21+/$10
@IAMGEMCLUB
IAMGEMCLUB.COM

Thanks!

Kennyy
as MELTRICK

Edited on [(Sat) Nov/12th/2011]
Thru [(Mon) Nov/14th/2011] [(Wed) Dec/14th/2011]

〜〜

【本日の/Today's BGM 】

At this time for my regular BGM selection section on my blogs, would like to introduce just really newcomers in popular indie world in Japan.
ちょっと日本のヤングなバンドマン達を？笑　

トップのコメント、「イントロ透明少女」って！それゆったら！（たぶん、あかん！笑）

★caroline rocks / "白昼夢" (Promotion(Music)Video)
(Title means "daydreams" in Japanese)

--

トップのコメント「ダークなのび太、爆笑！」って（笑）「でものび太みたいな人に限って、いい音楽、いいロックするんだようなあ」って！そらそす。

★White Ash / "Stranger" (PV)

---

Whiteつながり。先月、the Naked and FamousとThe Chain Gang of 1974 のカップリングツアーのオープナーに抜擢されてて出会ったこちらUSの若手バンド。メンバーむっちゃええ人たちで、5人組のひとりの最年少は最近高校卒業したばかりの１８歳とか、ゆーてました！驚き！

★White Arrows / ""

Un):独自翻訳/Translation「@Astranoutalis: @Daytrotter Debut Session on Feb2011 "The Toil Of A Wrecked Man" （「遭難したひとりの男の辛労」）」

2011-11-06T17:14:00.001-08:00

*the wiki photo

"Andrew" Charles Andrew Bothwell of Astronautalis

Astronautalis vs Lady Lamb the Beekeeper
live at SPACE, Portland in Maine on Saturday, September 24th 2011.

TBL!

Live Pics:

TBL!

Astronautalis new record in 3 years

"This Is Our Science" (Out Sep 13th. 2011)
Vinyl on Amazon.com

~~

★Astronautalis / "Trouble Hunter"
at O'Briens, Allston (Boston) MA, (Sun) Nov 6th.2011

TBP!

通称、アンディ（Andy）ことアストロナウタリスと出会ったのは２００９年の事でした、
当時確か未だ日本語のブロッグとミックシでしかものを書いていなかったので、当時彼に出会ったライヴのレポートもそこに確かあるなと、過去の自身のブロッグを探ってみました。

TBC!

Astronautalis New Album "This Is Our Silence"

Out 9/13th/2011 !!!

（＊以下、丸コピペです！）

HMV.co.jpにてLP Vinylヴァイナル購入!!
HMV レビュー (メーカー資料より)
同郷の盟友Radical Faceプロデュースのアルバム『You and Yer Good Ideas』で2003年にデビュー。インディーロックをルーツにしたヒップホップで数々のMCバトルやライヴによってアメリカ中でファンベースを拡大してきた米ミネアポリス在住のヒップホップ・アーティストAstronautalisことAndy Bothwell。3年ぶりとなる4thアルバムをCeschiのFake Four Inc.よりリリース。これまでの作品が歴史的なフィクションや過去や忘れ去ったことのドキュメントだったのに対して、本作は彼自身の自叙伝的作品となっています。グラミー賞ノミネートのプロデューサーJohn Congleton、Tegan & SaraのTegan Quinn、Radical Face (Electric President)、Midlake & The Riverboat Gamblersのメンバー、P.O.S. (Rhymesayers)やAliasまでが参加。アメリカで最高のストーリーテラーと称されるスキルは、ヒップホップでありロックでもあって、かつヒップホップでもロックでもない、この新たなポップ・ブルースでついにネクストレヴェルに到達しました。傑作。
or Vinyl on Amazon.co.jp

Amzaon.co.jp 商品の説明
内容紹介
”卓越したライミング・センスとロック畑で育んだ幅広い音楽性を武器に、ASTRONAUTALISが3年ぶりとなるアルバムをリリース!”

若かりし頃はバトルMCとしても名を馳せ、音楽的バックボーンはロック・カテゴリーにルーツを持つ、シアトルのラッパー/シンガー・Astronautalisの3年ぶりとなる新作!参加アーティストは、グラミーにもノミネートされたプロデューサー・John Congletonの他、Tegan Quinn (Tegan & Sara)、Radical Face (Electric President), Midlake & The Riverboat Gamblers、P.O.S. (Rhymesayers)、Alias (Anticon/Sage Francis)、Cecil Otter (Wugazi)、Lazerbeak (Doomtree)ら、インディ・ヒップホップ界のファイネスト達が集結。叙情的なライミング・センスには定評のある彼だが、本作ではそのスキルと独特のキャラクターに磨きがかかり、ジャンルの枠を更に超越し幅広い支持を集めるであろう好アルバムに仕上がっている。
Album Details
The sounds and styles on Astronautalis's albums are an animal not so easily caged, and his latest release, This Is Our Science is no exception to that tradition of wild genre bending. Features Tegan Quinn (Tegan & Sara), Radical Face, (Electric President), members of Midlake & The Riverboat Gamblers all waltzing in time to the work of P.O.S. (Rhymesayers), Alias (Anticon/Sage Francis), Cecil Otter (Wugazi), Lazerbeak (Doomtree), and more of indie hip-hop's finest.

--

では、本編、
今年２月配信開始の彼のデイトラッターの翻訳です！

Astronautalis

Debut Daytrotter session released February 22nd, 2011

"The Toil Of A Wrecked Man"

「遭難したひとりの男の辛労」
＊ザ・直訳！

Session Credit:

Words by @Sean Moeller,
（文章 by ショーン・モーラー)

Illustration by Johnnie Cluney,

（イラスト by ジョニー・クルーニー）

Recording engineered by Matt Oliver,

（サウンド・エンジニア by マット・オリヴァー）

Mastered by Sam Patlove,
（マスタリング by サム・パットラヴ）

Japanese Translation by @Kennyy_MELTRICK

（日本語翻訳 by ケニー＿メルトリック）

Tracklist:

1. Welcome to Daytrotter from Astronautalis

2. "Barrel Jumping (Man Of Letters)"

3. (Freestyle)

4. "Trouble Hunters"

5. "The Wondersmith and His Sons"

*M-2 from his 2nd album "The Mighty Ocean And Nine Dark Theathers" (2006)
This is only cd format released, I think.

M-4 & M-5 from his 3rd Album "Pomegrante" (2008)

M3 is his skillful freestyle rap track whenever if you get his show then you'll absolutely see.

＊上記に掲載した通りアストロノウタリスはまだ日本では、今年の新作含む過去の４枚は輸入盤しかでておりません。しかしその新作引っさげ目下日本への進出を試みている、という「親閲でポジティヴな声」が彼と彼のバンド＆マネージメントから僕が数度に渡る取材で得たもので、この翻訳が少しでもその手助けになればと話しておりました。

▷DOWNLOAD/Listen/Original Article

▷ダウンロード／視聴／オリジナル記事ページ

on Daytrotter.com

(*All the Daytrotter Service costs $2 per month／

＊デイトラッターの全てコンテンツ利用は月々米２ドルとなりました。)

独自翻訳：

このセッションには、アストロナウタリス（Astronautalis）の（またはチャールズ・アンドリュー・ボースウェル (Charles Andrew Bothwell)の）今回のセッションのトラック１「ウェルカム・トゥ・デイトラッター」のタグには、彼が僕らに対して「俺は皆が健康で、豊かで、賢明であるように。」と祈る彼の言葉に映る、攻囲された男が放つ様に語りかけてくる声がそこにある。M-3の彼の特技のフリースタイルで彼が語り出すプレリュードでは、彼がいかにソリッドな２年にも及ぶ活動に徹してきて、アストロノウタリスとはやはり一人の男で、彼自身とそしてその彼の功績ある年月に彼自身が疲れ切っていて、もし出来る事ならば、彼はより良い方向へ持っていく長いブレイクを取るために彼自身を解き放ちたいとすら思っていると、我々は汲み取れる程である。でもそれは永久ではなく、かといってダウトでもなく、彼は既に十分にやってきたし、今はその時間のために費やし尽くしてすらいてーーただ恐らく、沈み込んだそのスピリットから新しい英気の燃料を着実に得ていて、クリエイティヴな散文に落とし込まれていて、まあでもそれは健全とは言いがたい。

　彼は「皆が健康で、豊かで、賢明であるように。」と願うけれど、彼自身はそう願う為の痛みを自分自身の為には受けようとせず彼自身はある種、破損していく。そんなフリースタイルは、愚鈍で難解かつディープな歌となり、毎日の出来事で多々起こる単調な傾向に埋め尽くされ、心と体を日々の試練のなかにわき起こる疑問で固められた感情のごとく表現されている。彼が歌うのはそんなゾンビのパレードでアウト・オブ・コントロールと化した生活についてであり、男が一人そのゾンビの中をのたうち回りーー単調に同じ動きばかり繰り返し、同じ物ばかり食べ、同じことばかりただ経験していき、同じ物事ばかりを憎んだり好いたりしするーーもしくはもっといえば、ひとりの男が地面に彼自身を埋め込んでいくかのごとしで、まるでネジの様で。そんな風にあなたがもし、彼と同じ様に生き埋めのまま窒息死させられそうになり、それがもしあんなにテイスティで美味いウィスキーを飲みながらだったとしても、もし多くの一般的な人々が人生のなかで最重点に置く：旅することや、人々に出会って音楽を奏でている最中に、なんて思わせる風にまで思わせるシーンが彼のラップにはある。そうした常々生じてしまう疑問は、そんな日々のなか人々はどんな価値をもってして音楽にクレイジーになることへと身を委ねるのだろうか？それはすべてただ潤んでいて不鮮明なことで、だからボースウェルはおぼろげでも覚えている、彼のシーツの匂いがまるで彼の親父がかつて匂わせていたものを思い起こし、奇しくもボースウェルが親父の年齢にもうすぐ達するというのを見計らったかのようだ、なんてことをラップするのだ。

　彼は湧き起こるリリックのアイディアを振るい、ある一日から別の日への流れに乗って多くの彼を取り巻くしがらみをはらって一度も止まることなく抜けてゆくそのシンプルさのもとに言葉を紡ぐ。そんな言葉は、一度に解き放たれて　。彼は「俺は国中を旅して周り、血を分けた仲間達とかっこつけて生き延びて来た。／ハイファイヴ（＊相手の上げた手のひらと自分の上げた手のひらをたたき合わせるジェスチャー; 人を祝福する時やくだけたあいさつの時のジェスチャー」）して握手を交わすってことが、お前達が生きながらえていくための全てで。／ドリンクチケットで得る安っいビアーが俺がサヴァイヴしていく為の全てさ。」と歌う。彼はモノトーンで映る類いのすべてを歌にするけれど、一筋の炎が灯っていて、その炎がもし彼の体がスライスされたとしても彼は血を流しながらでも歌え、といわんばかりに彼の歌には灯っているのだ。だから、もしたとえ彼が自身をそんな風に破滅的に感じたとしても、まだ彼は屍なわけではないのである。

原文：

As part of this session, Astronautalis' (or Charles Andrew Bothwell's) "Welcome To Daytrotter" tag features the voice of what sounds like a beleaguered man when he wishes us all the best, as he says, "I hope you are all well-fed, wealthy and wise." After hearing "Freestyle" and his prelude to it, telling us that he's been on the road for two solid years, we take Astronautalis as a man who's had enough of himself and of weariness for a great long while, and if he could, he'd try to get away from himself for a good, long break. It wouldn't be forever, but without a doubt, he's had enough for a while, been tapped out for some time now - and though it might actually be fueling a new deposit of sunken spirits, turned creative prose, it's not actually healthy at all. He hopes that we're all well-fed, wealthy and wise, but he hasn't taken any pains to wish the same things for himself and he's kind of a wreck. "Freestyle" is a dense song, filled with copious references to everyday things, feelings as they've been built up and have put the body and mind in question to the test. He sings about a life that has been made into an out-of-control parade of the zombie, of a man going round in circles - doing the same things, eating the same things, experiencing the same things, hating and loving the same things - or more, of a man twisting himself into the ground, like a screw. It's a scene that makes you feel as if you're suffocating, getting buried alive, even as you're drinking that good whiskey, even as you're doing what most regular people would consider the highest form of living: traveling, meeting people and playing music. The question that arises though is, at what cost does one allow themselves to be driven crazy? It all just blurs and Bothwell raps that he vaguely remembers what his sheets smell like, thinking that they smell like his father's used to smell like when he was the age that the son is about to be reaching soon. He thrives on the sweaty ideas that come in passing and in a simplicity that comes with moving along from one day to the other without many strings attaching him to any one stop. It can be liberating and horrifying, all at once. He sings, "I traveled around the country, living off of dumb buddies and good looks/High fives and handshakes is all you need to get by/Drink tickets and cheap beer is all I need to survive." He sings all in a sort of monotone but with a flare that makes him seem as if he would still bleed if he were sliced. He's not a corpse yet, even if he feels like one.

Astronautalis Official Site

Thanks,

Edited [(Sat) Nov/6th/2011]
thru [(Sun) Nov/13th/2011]

〜〜

【本日の/Today's BGN selection】

TBC!!

Un):Translation/独自翻訳「#TheWarOnDrugs; 2nd @Daytrotter Session Oct2011 "The Dreams Of The Dreamers And The Scenic Goodbyes." （「ドリーマーたちの夢と美しいさよならの景色。」）」

2011-10-28T16:24:00.001-07:00

I saw him playing at Brighton Music Hall with Porcelain Raft (fr.London) & Caveman (fr.Brooklyn) in the end of August, this year.

The War on Drugs live pics by MELTRICK:
Live at Brighton Music Hall on Sunday October 21st, 2011.

TBP!
(*cause having some trouble with uploading.)

BUT here:

Un): LiveReview「"Looping like Silent 'Leniention' lenientively at the sky lights" -- Porcelain Raft, Caveman & The War on Drugs @BrightonMusicHall 」

on my MELTRICK English blo g.

~~

女の子に大人気なPhillyの若きインディーロック長髪野郎、Kurt Vile（カート・ヴァイル）がギタリストとして以前参加していたバンドとしても知られる、War on Drugsのデイトラッターセカンドセッションがリリースされました。

実は８月にライブを観ていてその後に昨年２０１０年のThe War on DrugsのDaytrotterセッションを発見したので翻訳していたんですが、未完なままで。ライヴ後、アダムともほんの少しだけ喋る機会があり、ライブはもちろん彼の雰囲気や物販で彼のご両親がついて回っていた感じなど、とても好印象でしたのでそのデビューの方のセッションを直後に取りかかる決意しておりました。

その時の対バンが、、
ロンドンのPorcelain Raft（ポースレイン・ラフト）とブルックリンから新しい刺客Caveman（ケイブマン）で、これまた良いライブだったんです。三者ともDaytrotterデビューしていたので、全部作業しております（が、滞っていました。笑）。
特にこのライヴの目的はロンドンのPorcelainだったのですが、彼がオープナーでお客さんもその段階では数えるほどしかおらず、僕の周りの同業の友達なんかはポースレイン好きがおりますが、案外アメリカではまだなのかなという感じでした、、って話はポースレインの回でしてます（笑）

ということで、TWODJの二本目のセッションを。個人的には前回より格段にセッション内容が良くなっていて好きです。

---

The War on Drugs
2nd Daytrotter Session released October 28th, 2011

"The Dreams Of The Dreamers And The Scenic Goodbyes"

「ドリーマーたちの夢と美しいさよならの景色。」

Words by @SeanMoeller,

（文章 by ショーン・モーラー）

Illustration by Johnnie Cluney,

（イラスト by ジョニー・クルーニー）

Recording engineered by Patrick Stolley

（レコーディング・エンジニア by パトリック・ストーラー）

Japanese Translation by @Kennyy_MELTRICK

トラックリスト/Tracklist:

Welcome to Daytrotter from The War On Drugs
"Best Night / I Was There"
"Comin' Through"
"Baby Missiles"
"Brothers"

*All songs from TWOD 2nd full length album "Slave Ambient" (2011), except "Comin' Through" from TWOD 2nd EP "Future Weather" (2010).
＊M-3"Comin' Through"のみSecretly Canadianレーベルから2010年の２枚目のEP「Future Weather」に収録で、他全曲は最新作2011年の2ndフルアルバム「Slave Ambient」収録です。

★The War on Drugs / "Best Night"
live at KDHX 3/28th/2011

BUY Vinyls at Amazon.com

ヴァイナル on Amazon.co.jp

▷Download / Listen / The Original Article Page on Daytrotter!!

▷ダウンロード／視聴／オリジナル記事はデイトラッターのページで！！

独自翻訳：

　通り過ぎていく州が僕らに語りかける。僕らの旅の途中に骨の髄から血のまでを突抜けては、まるで肌心地ちの様に包み込んでくれる。そんな時、僕らはまっすぐ前を向く事すらに緊張したりする。まるで車を崖っぷちまで停めて覗いてるとか、突然の衝撃によってハンドルを右に持っていかれ、何かに正面衝突しコンクリートヴリッジの堤防に突っ込むような感じを抱き、終いには巨大な日の中、といったエンディングを向かえるのではないか、というような感覚を抱いている。時として、我々は悩み苦しみ、その苦しみから解放されることを望んでいたりする。それは喫煙スペースから抜け出して解放された場所で煙草を箱から抜いて一服する瞬間のそれと同じである。それはちょっと眠れない罪悪感を感じながら田舎のバーへと一杯のナイトキャップ（寝酒）を求めに思い足取りで向かおうとするときのそれと同じである。ただ、このどれにも僕らがフィラデルフィア（Philadelphia）のバンド、ザ・ウォー・オン・ドラッグス（The War On Drugs「麻薬戦争」の意）のレコードに聞き入るときに思うことは当てはまりやしない。

　実をいつと、僕らは全く真逆のことを思うんだ。人によって、アピールポイントが犬を車の窓から覗かせることであったり、自慢のクルマを転がすことや、流れが早く冷たい風がなびいてくる様に頭や首の毛を引き上げる素速さだったりするだろうが。（＊←この箇所はちょっとよくわかりませんでした）僕らがリードシンガーのアダム・グランドゥシエル (Adam Granduciel)の音に、バンドンの最新にして名盤の「スレイヴ・アンビエント（"Slave Ambient"）」に聞き入っていると、よりその答えに近づく。まさに高血圧な時間帯の為のスレイヴ（とりこ）であって、ストレスになるボーダラインすれすれの位置にあるものかもしれない。このレコードは、僕らの頭を走っているクルマの窓から投げ出して、なぜそんな風に吹かれて自分を曝け出す事が出来たるのかってのは、＊しっぽをふりふりしてる僕らのベストフレンズ（犬のこと？ーー＊この箇所はちとよくわかりません）が居るからだって思い知らせてくれる。その風は僕らの頬をすりすりとくすぐらせて、せかせかした土地々や血の気の多い景色を通るときでさえもスムーズに自分たちをもってゆき、ただただそんなセンセーションの大渦巻の中泳いでいて、不思議なことに僕らがクルマを停めて外へ出て歩き回らないかぎりはそのセンセーションの驚異さなんて腕の長さにも及ばもしないから、結局は僕らは目的地にたどり着いてもいないのにその走りをやめたりもしない。

　我々はこういったことを哲学的に考えがちで、それは僕らがそれぞれこの旅で何処へ行き着きたいのかで互いに対峙してしまう事すらも受け入れて、多くは一瞬一瞬でさよならをしなければならなくて一生見る事もなく消えてしまうような素晴らしい景色の数々だろうとも、それが旅の醍醐味というものであると。グランドゥシエルは僕らが白昼午後の真っただ中で、そんな風に対してたった一枚のシートになってしまう時の感覚をうまく楽曲に書いてくれる。決して僕らは酔っぱらっているわけではなく、でもとても心地よい。僕らはちょっとだけ内省的なことに慣れてしまってて、でもそれは巧い事ちょっとしたポジティヴさにも繫がっていってるなんて感じたりする。そんな起こりえる些細なことに僕らはノスタルジックを感じ、取り戻せないからこそ何度でも僕らはまた生きようと勤めるけど、ーーそう、もう既にーー気付いた時にはもう過去のことで、実際はただ指紋がべったりついた人口過加工物（＊「思い出の品」くらいの意）やただの個人的な過去の汚点だったりする。彼の曲達は果敢ない思いや夢で溢れた軽いキッスの様で、一度は長い間何もせずにただ横たわっていただけだったり、一生何もしなかったりという幻想さに帯びている。そんな夢たちは半分は調理された音を鳴らしながら。一人のリアル・ドリーマーのハートとブリリアントなひとつの人生のモンタージュとしてまだ描かれ続けている楽曲とが、一人の伝記作家が大切なものを遂に見つけ、でもそれは彼自身の過去でその素晴らしかった過去の影だったなんていうような些細なことで埋められているのだ。

The passing states work on us. They get to us and the travel through our bones and our blood, wrapping us up like skin. At times, we get too stressed out to even see straight. We feel as if we might just take the car over the cliff or a sudden impulse could just lead us to jerking the wheel to the right, ramming the thing head-on, directly into the concrete bridge embankment, ending it all in one gigantic fire ball. These are the times that make us suffer and rely on our releases. It's what brings us to thumping our packs of cigarettes to get the tobacco in the right place. It's what leads us to guiltily trudging down to the local bar for a lengthy nightcap. None of this is what we think about doing when we listen to the records made by Philadelphia band, The War On Drugs. As a matter of fact, we think very opposite things. As people, we often wonder what the appeal is for dogs thrusting their heads out of cars, as they motor down the road, whipping their head and neck fur back as the quick and cool air blinds them. We get closer to the answer as we listen to lead singer Adam Granduciel and band's latest masterpiece, "Slave Ambient." It's a salve to any high blood pressure times, to anything that might borderline on stress. It's a record that has us throwing our own heads out of the windows of moving cars and we can understand why it's done by our tail-wagging best friends. It makes our cheeks tickle and it lets us get smothered by the rushing fields and the bleeding colors, just swimming in the maelstrom of sensations and wonders that can get no closer to us than arm's length unless we decide to stop and walk around, which we don't do because then we'd never get to where we're heading. We can think about such a thing philosophically, accepting the conflicting ideas of arrival where we intend to go and the journey through the good stuff as it disappears forever, mostly lost to the scenic goodbye. Granduciel writes the way we feel when we're one sheet to the wind, in the middle of the afternoon. We're not drunk, but we feel good. We feel like we're settling in for a little bout of introspection that's going to do us a bit of good. We feel nostalgic for the things that just happened, things that we can't take back, things we'd love to live again - already -- and things that we know should be left behind, the artifacts of our fingerprints and our personal smudges. His songs are like the light kisses of fleeting thoughts and dreams we once had lying around doing nothing for the longest time, or doing nothing forever. The dreams sound half-cooked, those of a real dreamer's heart and yet the songs come across as a montage of a brilliant life filled with little that a biographer would ever find of importance, but that was the man and what he was and it was good.

The War On Drugs Debut Daytrotter Session:
(http://www.daytrotter.com/dt/the-war-on-drugs-concert/20030571-3737840.html)

The War On Drugs Official Site:
(http://www.thewarondrugs.net/)

＊お詫び、

初回パブリッシュ時に大変中途半端な状態で公開となっておりまして申し訳ありませんですた。そのThe War On Drugsのデイトラッター・デビューセッションの方も近日完成させアップいたしますね！！

Thnx!

Kennyy

as MELTRICK

Edited [(Fri) Oct/28th/2011]
thru [(Sat) Oct/29th/2011] 1st published.

〜〜〜

【本日の/Today's BGM selection】

TBP！

Translation/独自翻訳：「 #BlueHawaii; @Daytrotter Session "Off And Into The Static Distance"（「盲目的で途方もない場所へ」）」

2011-10-20T11:46:00.000-07:00

Hi there, it's been a little while I think, I feel? I got moved recently and waited for being connected to the internet a while as well. It's school back season, new things coming up. But and And, I may be also getting re-chances by chance, so that at this point, for me, this is sort of important thing to translate even this February released session of Daytrotter by Blue Hawaii from Montreal, Canada. The female singer is also singing in her another band Braids. Both are too much beautiful. But I suppose I have known them Blue Hawaii first, some time in last year? According to the order. (Well, to get music, it might be "It doesn't matter" though.)

DO Donate or DON't Donate to Download MP3:

(http://www.arbutusrecords.com/?page_id=247)

Well, I'm still looking for a way or place still being able to get Blue Hawaii & Braids' split tape...OH!

(*This introduction would be about last month... September.)

★Blue Hawaii Interview at internet is dead.ca
Uploaded Sat February 05, 2011

~~

9月になりまして個人的にエキソドスがありまして、そらもうギリギリで。笑　やっとこさネット開通など全ての物事がメイククリアになって、ちょっとほっとしながらも色々と、逃してしまったり、逃してしまっている物事を思い返していまして。でもこれからでもメイクアップ（お化粧の話ではありません）ができるのではと、色々とリ（Re:）っているわけでございます。

さて、今回はそんななかの一つに繫がる独自翻訳をおひとつ。カナダ・モントリオールの
BraidsがCOCO HEART recordsさんから日本デビューしましたが、それより以前から日本でも、そのBraidsのフロントウーマン／ボーカルギターのRaph と Agorという男の子からなるユニットのBlue Hawaiiの２０１０年の"Blooming Summer"はリリースされていたと聞きます。

ぶっちゃけ、確か、Blooming Summerのフィジカルリリースはcdのみですし、MP3はレーベル・Arbutus Recordからドネートの有無関わらずダウンロードできます。(↑のurlから)

~~~

Blue Hawaii

(Pop Montreal Session)

"Off and Into The Static Distance."

「盲目的で途方もない場所へ」

▷Download/Listen/OriginalArticle

▷ダウンロード／視聴／オリジナル記事ページ

Blue Hawaii debut Daytrotter session released Feb 3, 2011
Words by Sean Moeller
Illustration by Johnnie Cluney
Recording engineered by Brad Kopplin
Recorded at Break Glass Studio in Montreal, Canada during the month of October, 2010 during the Pop Montreal festival Japanese translation by @Kennyy_MELTRICK

Tracklist:
Welcome to Daytrotter from Blue Hawaii
"Casstle of Clouds"
"Cect"
"Katie"
"Lilac"
*1). M-2"Castle of Clouds," M-4"Katie" and M-5"Lilac" from their first album "Blooming Summer"(2010) and M-"Cect" from sold out Casset Tape "Blue Hawaii / Braids Split"
＊1).M-4の"Cect"はソールドアウトのBraidsとのスプリットカセットから、それ以外の３曲はデビューアルバム「Blooming Summer」にオリジナル収録です。

*2). You can Download the entire album for FREE or Donation from their record LBL Arbutus Records here and also you can purchase the cd(? currently, used to be CT I believe... and I'm still looking for the tape though. lol)
＊2).カナダのArbutus Recordsから音源はドネイト式もしくはFREEでダウンロード出来ます。

↓日本盤CD

▷Blue Hawaii 「Blooming Summer」cd at HMV.co.jp

▷Braids 「ネイティヴ・スピーカー」cd at HMV.co.jp

独自翻訳：

アメリカの中でも素晴らしい街々のなかでもヒトキワ素晴らしい街、サン・フランシスコへと私が足を運べるのは年に数回しかやってこない。特に、それも数日しか設けられず必ず仕事での滞在となり、それはもう時間も決められてるけれど、サンフランシスコにいるとなると、喘ぐ様なことばかりでしょう。朝方かもしくは夕暮れ時にでもその埠頭の方へやって来て、畏敬の念に浸る。木々に囲まれたエリアの海岸沿い駆け出しては、ゾディアック事件で起きた数々の惨劇の現場近くまでふいにやって来て、終いにはその先のプリシディオ（Presidio）地区まで行き着、もしその足に乳酸が溜まって不快な程の心痛に見舞われて息苦しくなっていたとしても、すぐさまその土地の魅力に目を奪われることとなるだろう。そしてどんどん足を進む事ができるだろうし、本当、他の地では見つける事の出来ないこの街だけの細部にいきわった魅力を堪能する事にもなるよ。肉体的にもメンタル的にも何度でもまた戻ってきたくなる、そんな街さでーー霧雨や、濃霧に囲まれ、アルカトラズ島（*Alcatraz Island ＝「San Francisco湾内の小島で、１９６３年まで連邦刑務所があった。」）から如何に逃れてきたかという空気や思想感を感じれる場所であり、これ以上は西へと行けないほど遠く流れついてきて、まさに最後のリゾート地という感覚のある街である。

ブルー・ハワイ（イ）のアレックス・コワン（Alex Cowan）とラファエル・ストラドレル-プリストン (Rapahaelle Strandlell-Preston)の２人が出会ったホームタウンのカナダのモントリオールの様な街ーー特に不思議なほどベイエリア（海沿いのエリア）としての特色が強くーーでは、かなりベースなところで微かに温かなサンフランシスコのカリフォルニアンのヴァイヴがあり、少なからずも、もし行き着く地を間違えたような者にさえもその温かなフィーリングが注がれたりする。むしろ間違えて行き着くのも良い気さえすしてくるのは、このデュオのどことなくかすみがかったエレクトロが与えてくれるもの凄く強い"引き"の力に、僕らが魅了されてこの音を聴いていながら別のどこかまったく違う心地よい場所に居る気分／いたいと切望するようになったりするものと同じである。

ストラドレル-プリストンが「キャッスル・オブ・クラウズ」("Castle of Clouds")という楽曲内で「雲で出来たお城に住む誰かを見つける〜」と歌っていれば、「セクト」("Cect")（僕らデイトラッターとしてはもっとそんな雲が分厚くその存在を知らしめている楽曲なのではないかとなだめかして導いてる）では、主人公たちが何処か決っして辿り着けやしない場所へと切望している様が描かれている気がする。それはスウィートでナチュラルで、僕らは基本的にはいつだって自然体で、それでいて固い強さを誇るような場所にとどまっているようでもあるし、この切望感にはそぐわなず決して辿り着けはしない場所でもある気がする。そんな空白だけど最高な状況下の中でマッサージさせられていて、盲目的になりそんな途方もなく揺るぎもなく、ゆがんだ地平線の反対側に位置するビジョンを観ている。僕らは邪魔されたり苛立っているわけではなく、むしろわくわくしていて、巡ってくる事はないチャンスのスターライトに恋いこがれている感覚だ。ストラドレル-プリストンの噴射される声はクッションのようにふんわりしてて、あわあわもしてて、天高く昇っていくようである。彼女はただそんなアングルへと火を灯し放とうとしていたり、彼女自身の体の一部を辿り着けない場所へと向けてカタパルトで放っているのである。

The chance only comes a few times a year when I can get out to one of the greater cities in America - San Francisco. Usually, it's only a few days and it's always a working trip, so time is limited, but when you're there, you gasp often. You get down to the wharf in the mornings or early evenings and you're in awe. You get out on foot, running through the wooded areas along the coast, and up through the dirt paths that pop you out into the neighborhood of some of the Zodiac killer's ghastly acts, out and up through the Presidio area and you're quickly in love, if horribly out of breath and feeling the nasty pangs of lactic acid buildup in your legs. You could go on and on, really, citing bits and pieces of the cityscape that can't be found elsewhere. It's a city that you keep coming back to, physically and mentally - the drizzle, the fogginess, the thought of what it must have been like to attempt to escape from Alcatraz island, the water and the general feeling that you can't go any further west, that it does feel like the last resort. While Alex Cowan and Raphaelle Strandell-Preston of Blue Hawaii, call a city like Montreal, Canada - which strangely shares some characteristics with the Bay Area - home, there's something about the slightly warmer, at the very least, Californian vibe of San Francisco that makes it easy to feel as if they are misplaced. It might be better to consider them misplaced, however, as the longing that exists in the duo's hazy electro gives us the strongest pull and if we imagine that we're listening, but wishing to be somewhere very different, it feels very appropriate. Strandell-Preston sings about "finding someone in a castle of clouds," on the song "Castle of Clouds," but what it seems like we can hear in that song and in "Cect" (a song that we somehow coaxed more of the clouds out of, even though they were thick and present on their own) is someone wishing for the elsewhere, wishing for some place that they cannot reach. It feels sweet and natural, as if we're all stuck between a rock and a hard place most of the time, never able to be where we really want to be. We are left massaging that void the best that we can, looking off and into the static of distance, seeing a distorted vision of what lies on the other side of the horizon. We aren't bothered by this, but intrigued by it, wishing by starlight for a change that might never be made. Strandell-Preston's outbursts even feel cushioned, foamy, as her voice soars to different heights. She's just trying to angle the shots fired, trying to catapult some part of herself to that place she can't be.

Arbutus Records
Breakglass Studio
Pop Montreal official site

個人的に、このポストの英語部にあるVimeoの埋め込みのインタビューのバックでBlue Hawaiiが演奏してる「Blue Gowns」は僕の中の２０１０年のベストソング上位に確実ランクインしてるほど、陶酔した楽曲でしたので、デイトラの今回のセッションに選曲されたなかったのが実はとても残念だったり（笑）

そんな曲を、今夜Braidsの前座としてもやってくる二人が演奏してくれることを願います。

★Blue Hawaii / "Blue Gowns"
(Unofficial Video)

Edited on [(Thu) Sep/8th/2011] thru [(Thu) Oct/20th/2011] published.

~~~

【本日の/Today's BGM selection】

My favorite and dear friends' Bostonian Bands.
愛しのボストンバンド達のRemixスプリットEPです。

Grab your digital copy for FREE! or name your heart!

ダウンロードフリーもしくはドネイト式です！

http://stereotelescope.bandcamp.com/album/spank-bank

★Stereo Telescope / Bodega Girls - remix split EP "Spank Bank" (Aug2011)
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＊合わせて、S Telescopeの三曲入り"Tour EP"という作品もフリーからいけるので、ぜひ！
"Lighthouse"がど真ん中キラチュンです。

Un): 独自翻訳/Translation「#MikaMiko: @Daytrotter Session on Aug2011 "An Unwashed, Raw Bite From The Crypt."（「粗い落とされていない、クリプトからの生のキス。」）」

2011-10-17T15:47:00.001-07:00

http://www.daytrotter.com/dt/mika-miko-concert/20030935-3737455.html

http://thephoenix.com/Boston/music/128548-out-homegrown-iii-pops-up-in-unlikely-spaces-bou/

"Bleached" at #Homegrown Ⅲ Fest on day 3 last Sunday.

TBC!

~~

Mika Miko
debut/last #Daytrotter Session:

"An Unwashed, Raw Bite From The Crypt"

「粗い落とされていない、クリプトからの生のキス。」

Session Credit:

Session Released Aug 21st, 2011

Words by Sean Moeller

Illistration by Johnnie Cluney

Recording engineered by Mike Centry
Japanese Translation by @Kennyy_MELTRICK

Tracklist:

Welcome to Daytrotter from Mika Miko
"Johnson R. Cool"
"Beat The Rush"
"Blues Not Speed"
"Turkey Sandwich"

＊All songs from their second full length album "We Be Xuxa" (2009)

＊今回の全楽曲は彼女達のセカンドアルバム「We Be Xuxa (ウィ・ビィ・シュシャ)」(2009年) オリジナル収録です。

12"Vinyl (Left) / ヴァイナル（中）／日本盤cd (Bonus 4 tracks -- 右)

Or 日本盤 at HMV.cp.jp

DOWNLOAD / LISTEN / Original Article on Daytrotter!!

ダウンロード／視聴／オリジナル記事ページ

ALSO the live videos on Daytrotter:

★Mika Miko "Too Cute To Puke" live

★Mika Miko "Wild Bore" live

★Mika Miko "Zombies Take One" live

*These three songs - live in San Francisco Feb 26th 2008

★Mika Miko / "Beat the Rush" live
at 2009 SXSW festival at Red 7 on 3/18/09.

*Daytrotter has decided to charge $2 per month for every contents to use.
＊デイトラッターのコンテンツ利用は月額$2の登録が必要になりました。

My rate for the session:
★★★★☆☆ (4.3 / 5 star)

独自ホンニャク：　
*タイトルのクリプト（Crypt）とは「地下室、穴蔵」という意。

悲しいことに、デイトラッターのセッションが故意的に埋没さられる事があり、我々はバンドの蠢きやそのダイナミックさに、そして終いにバンドが新しい別の何かを見いだしてしまいバンド自体に挫折してしまうことに手を出さずにはいられない事がある。だからこのロサンジェルスのバンド・ミカ　ミコ（Mika Miko）の場合もそうで、グループは年月を重ねて着て次第にバンドとして蒸発しそうな空気をLAで出しはじめていて、その際に起こるすべては怒り（レイジ - rage）であり、その怒りはヘルス（HEALTH - 同郷LAのノイズエレクトロバンドで、NiNやCrystal Casstleとのツアーで知られる。）のもつそれのようであり、むしろそれ以上に悪評をそれも異常な通常以上な状況下の音楽的評価を得たりしていた。そしてこのアンウォッシュド（粗い（洗い）落とされていない）セットでは、アグレッシヴで興奮冷めやらぬ怒りに満ちた女たちの音が鳴っていて、どなり散らしてるギター達がジーンズの穴をさらに引き裂いていたりシャツの肘部を引き裂いていた。それはいわば、ラフ・アラウンド・ザ・エッヂ（十二分に成熟した）なバンドアーティストのビッチに平手打ちされながら、同時になれるったけのクレイジーさでされる、よだれにまみれて濡れてるキスであった。

バンドがそれぞれに終わりだと宣言したのはこのセッションが録音された２００９年夏のツアー完走の直後であり、その最後のかけらを我々が聞けるのがこのセッションでもありーー例えこれがバンドの最後のレコーディンングでなかったとしてもねーーそんなバンドの生々しい”たらし”な、横柄さや（うなじをさらけ出す様な）そんなふしだらさを、ベストライブと名高いセットと共に紹介しているのも、最後かもしれない。

Sadly, it happens sometimes that a session gets unintentionally buried and shuffled around and we can't stay out ahead of band rumblings and dynamics and said band dies on the vine, just as they were beginning to see some good things happen to them. So is the case with Los Angeles band Mika Miko, a group that came of age and began catching steam as the Smell in L.A. was all the rage and groups like HEALTH and more were gaining notoriety in freaky and more standard music circles. The unwashed set was taking notice and the aggressive and agitated sounds of pissed off ladies and snarly guitars was ripping holes in jeans and tearing the elbows out of shirts. It was a wet and slobbery kiss that doubled as a bitch slap from a band of rough-around-the-edges artists just looking to stir it up as sweaty and as crazy as they possibly could. The band called it quits shortly after the completion of the tour during which this session was recorded in the summer of 2009 and it's here that we're able to hear one - if not the final recording the band ever made - showcasing the band's snottiness and its scruffiness at its rawest, in a live setting that it was best known for.

MIKA MIKO:
(still might be alive-) myspace
Wikipage in English
Last.fm page in English / Japanese

Also this Mika Miko's different translation version on
【Simon Says】Japanese site!

Edited [(Mon) Oct/17th/2011]
thru [(Wed) Oct/19th/2011]

~~~

【本日の/Today's BGM selection】

TBP!